A pleasingly thorough, if not critically groundbreaking, retrospective of the works and life of Hollywood's most versatile (and, to some cineasts, best) director. Hawks was born into a successful midwestern mercantile family. Detailing the level and range of their business successes, film critic McCarthy (King of the B's, 1975) suggests how the confidence bred in Hawks by his family's position strengthened his determination when he came to Hollywood: He wanted to work in a number of different genres, and he wanted to remain independent of the big studios. Despite the odds, he did. McCarthy focuses with great and admirable detail on Hawks's films. His life was rowdy and colorful (he was a womanizer and a gambler), and McCarthy communicates the essentials without ever losing focus on the director's artistry. Especially fascinating is the chapter on Red River, a blend of the requisite quotes on the previously untapped acting ability of John Wayne (e.g., Ford's ``I didn't know the sonofabitch could act!''), tales of sparring between Wayne and costar Montgomery Clift and Hawks's dissatisfaction with Joanne Dru, a concise analysis of the movie's importance to Hawks's artistic freedom, and not too much about the film's already much- discussed homoerotic intonations. Highlights from other chapters include fresh discussions of overlapping dialogue in the romantic comedies, recaps of the sometimes surprising public response to his films (too-cynical Twentieth Century was a box office dud), and end-of-chapter roundups of critical views of each film, notable for including not only reviews of the time but the opinions of film historians like Jeanine Basinger and little-known critics like Jean-Pierre Coursodon. Though the most enjoyable book on Hawks remains Joseph McBride's Hawks on Hawks, this is an essential complement to it and to studies by Wood, Wollen, and others. It portrays in wide-screen format a life until now presented only in sketches. (16 pages photos, not seen)
Pub Date: June 1, 1997
ISBN: 0-8021-1598-5
Page Count: 721
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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