RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
Page 84
... of Wales were of larger dimen- sions , because it would give me much more courage to express my thoughts with greater freedom and accuracy . . . I must confess that my natural talent lies much rather in the direction of. 84.
... of Wales were of larger dimen- sions , because it would give me much more courage to express my thoughts with greater freedom and accuracy . . . I must confess that my natural talent lies much rather in the direction of. 84.
Page 85
Hermann Knackfuss. my natural talent lies much rather in the direction of producing work conceived on a large scale , than in turning out as it were small curiosities . Every one has his special talent . The task of depicting a great ...
Hermann Knackfuss. my natural talent lies much rather in the direction of producing work conceived on a large scale , than in turning out as it were small curiosities . Every one has his special talent . The task of depicting a great ...
Page 92
... was always Rubens ' best opportunity for refreshing his soul at the undefiled source of natural inspiration . In less ambitious . Fig . 75 . STUDY OF A HEAD . Drawing. ( To page 92. ) ( To page 92. ) ( To page 92. ) 92.
... was always Rubens ' best opportunity for refreshing his soul at the undefiled source of natural inspiration . In less ambitious . Fig . 75 . STUDY OF A HEAD . Drawing. ( To page 92. ) ( To page 92. ) ( To page 92. ) 92.
Page 93
... red chalk in the Uffizi at Florence . After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . tasks of such a nature , he set aside the. ( To page 92. ) ( To page 92. ) In the Hermitage at St. ...
... red chalk in the Uffizi at Florence . After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . tasks of such a nature , he set aside the. ( To page 92. ) ( To page 92. ) In the Hermitage at St. ...
Page 94
... nature , as she presented herself to him , without indulging in any additional accessories ( Figs . 79-84 ) . Some of his female portraits , the originals of which are known , have in this way become very famous . Among these there is ...
... nature , as she presented herself to him , without indulging in any additional accessories ( Figs . 79-84 ) . Some of his female portraits , the originals of which are known , have in this way become very famous . Among these there is ...
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adorned Albertina at Vienna altar altar-piece Ambassador Antwerp Antwerp Museum Archduchess artist Balthasar Moretus beautiful Berlin Museum Breughel Brussels Buckingham Carleton charm Clément Clément & Co Collection Cologne colour commission composition Cross daughter death decoration designed Dornach Drawing Dresden Gallery Duke of Mantua England engraving executed figures Flemish florins France Franz Hanfstängl Gallery at Cassel Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Holy Imperial Gallery Imperial Museum Infant Christ Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris Madrid Maria de Medici master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna original by Braun original by Franz painted painter Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint scenes seems sketch Spanish Vienna Fig Virgin whilst wife