RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
Page 82
... hand , which have come down to us , of his Prince - patron we must single out the superb equestrian one in the Royal collection at Windsor , of which there is a drawing in the Louvre . It appears that he had also commenced to paint for ...
... hand , which have come down to us , of his Prince - patron we must single out the superb equestrian one in the Royal collection at Windsor , of which there is a drawing in the Louvre . It appears that he had also commenced to paint for ...
Page 86
... hands , and frequently in the presence of the Queen herself , who seemed to take a delight in watching this cele- brated man at work , and who was greatly interested by his conversation . The pictures represent the following scenes : 1 ...
... hands , and frequently in the presence of the Queen herself , who seemed to take a delight in watching this cele- brated man at work , and who was greatly interested by his conversation . The pictures represent the following scenes : 1 ...
Page 94
... hand . It is in these Fig . 76. PORTRAIT OF A YOUNG LADY OF THE COURT OF THE INFANTA ISABELLA AT BRUSSELS . Drawing in the Albertina at Vienna . After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New ...
... hand . It is in these Fig . 76. PORTRAIT OF A YOUNG LADY OF THE COURT OF THE INFANTA ISABELLA AT BRUSSELS . Drawing in the Albertina at Vienna . After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New ...
Page 95
... hand it has been said by some authorities that portrait - paint- ing was really the weakest side of Rubens ' Art , and it has even been asserted that his conception of the personages painted by him was only a superficial one ...
... hand it has been said by some authorities that portrait - paint- ing was really the weakest side of Rubens ' Art , and it has even been asserted that his conception of the personages painted by him was only a superficial one ...
Page 97
... hands , arrayed in rich oriental attire ( Fig . 87 ) . The original of this portrait was probably however not a Turk , but one of those Christian Levantine merchants who had it painted to send to his relations in his native land . The ...
... hands , arrayed in rich oriental attire ( Fig . 87 ) . The original of this portrait was probably however not a Turk , but one of those Christian Levantine merchants who had it painted to send to his relations in his native land . The ...
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adorned Albertina at Vienna altar altar-piece Ambassador Antwerp Antwerp Museum Archduchess artist Balthasar Moretus beautiful Berlin Museum Breughel Brussels Buckingham Carleton charm Clément Clément & Co Collection Cologne colour commission composition Cross daughter death decoration designed Dornach Drawing Dresden Gallery Duke of Mantua England engraving executed figures Flemish florins France Franz Hanfstängl Gallery at Cassel Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Holy Imperial Gallery Imperial Museum Infant Christ Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris Madrid Maria de Medici master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna original by Braun original by Franz painted painter Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint scenes seems sketch Spanish Vienna Fig Virgin whilst wife