Lindsay ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of wilful imposture. I have seen, and heard, much of Cockney impudence before now ; but never expected to hear a... Sketches of Great Painters - Page 94by Edwin Watts Chubb - 1915 - 263 pagesFull view - About this book
| Dario Gamboni - 1997 - 424 pages
...impudence before I 112 Henry Gray, detail from a poster for the 1883 third Exposition desArts 1ncoherents. now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face'.20 The reasons for this unmeasured outburst, which prompted Whistler to sue him for... | |
| Connie Robertson - 1998 - 404 pages
...thumb each other's books out of circulating libraries! 3653 On Whistler's Nocturne in Black and Gold I have seen, and heard, much of Cockney impudence...hundred guineas for flinging a pot of paint in the public's face. RUSSELL Bertrand 1872-1970 3654 If we were all given by magic the power to read each... | |
| Linda Merrill - 1998 - 420 pages
...Whistler's works at the Grosvenor Gallery, originally published in the July number of ForsClai'igira: "I have seen, and heard, much of Cockney impudence...hundred guineas for flinging a pot of paint in the public's face."1 With an audacity that stunned the English art establishment, Whistler brought suit,... | |
| Connie Robertson - 1998 - 686 pages
...When love and skill work together expect a masterpiece. 9743 On Whistler's Nocturne in Black and Gold on ... of Political Economy It is not the consclousness...determines their being, but, on the contrary, their public's face. RUSSELL Bertrand 1872-1970 9744 To be without some of the things you want is an indispensable... | |
| Anthony Haden-Guest - 1998 - 404 pages
...in which the ill-educated conceit of the artist so nearly approached the aspect of wilful imposture. I have seen, and heard, much of Cockney impudence...hundred guineas for flinging a pot of paint in the public's face." Whistler sued for libel. A play, The Grasshopper, opened in London soon before the... | |
| Thurman Wilkins - 1998 - 518 pages
...obscurity driving the aging critic to write, "I have seen and heard much of cockney impudence, but I never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face."18 As Whistler had grown weary of Ruskin's jabs, he decided to sue for damages. Much... | |
| Robert Young, Kah Choon Ban, Robbie B. H. Goh - 1998 - 190 pages
...prosecution in 1878 by Whistler, for libelling him (in Fors Clavigera) as a Cockney "coxcomb [who could] ask two hundred guineas for flinging a pot of paint in the public's face", the influential picture dealer, Oswald Colnaghi, was prepared to testify "that Ruskin's... | |
| Tim Barringer, T. J. Barringer - 1999 - 182 pages
...in which the ill-educated conceit of the artist so nearly approached the aspect of wilful imposture. I have seen, and heard, much of Cockney impudence...hundred guineas for flinging a pot of paint in the face of the public. When this passage was picked up and quoted widely in the press, Whistler sued Ruskin... | |
| Lynn Garafola, Nancy Van Norman Baer, Nancy Baer - 1999 - 474 pages
...in which the illeducated conceit of the artist so nearly approached the aspect of wilful imposture. I have seen, and heard, much of Cockney impudence...hundred guineas for flinging a pot of paint in the public's face."14 This forceful statement led to a totally unexpected result: one of the most interesting... | |
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