RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
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Page 86
... pupils , were set up in their intended position . It is said that he painted the two last scenes for this Medici Gallery entirely with his own hands , and frequently in the presence of the Queen herself , who seemed to take a delight in ...
... pupils , were set up in their intended position . It is said that he painted the two last scenes for this Medici Gallery entirely with his own hands , and frequently in the presence of the Queen herself , who seemed to take a delight in ...
Page 98
... pupils . Besides these scenes taken from profane History , there are also some drawn from the Old Testament , such as , for example , the impressive painting , at Munich , of the Reconciliation of Jacob and Esau ( Fig . 88 ) . This last ...
... pupils . Besides these scenes taken from profane History , there are also some drawn from the Old Testament , such as , for example , the impressive painting , at Munich , of the Reconciliation of Jacob and Esau ( Fig . 88 ) . This last ...
Page 106
... pupils a great part of his commissions , he painted every line of these two pictures himself , putting into them the whole - souled devotion that he cherished for his beloved ones and all the artistic enthusiasm that he was capable of ...
... pupils a great part of his commissions , he painted every line of these two pictures himself , putting into them the whole - souled devotion that he cherished for his beloved ones and all the artistic enthusiasm that he was capable of ...
Page 139
... pupil . By the master himself are the two splendidly decorative portraits of Albrecht and Isabella now in the Museum at Brussels , which were designed for a Triumphal Arch . Of the sketches there are many more still in existence ...
... pupil . By the master himself are the two splendidly decorative portraits of Albrecht and Isabella now in the Museum at Brussels , which were designed for a Triumphal Arch . Of the sketches there are many more still in existence ...
Page 141
Hermann Knackfuss. The entire work was subsequently etched on copper by his favourite pupil , Theodor van Thulden : -a commission given to him by the town of Antwerp soon after the entry of Ferdinand , and published in 1641-42 , in forty ...
Hermann Knackfuss. The entire work was subsequently etched on copper by his favourite pupil , Theodor van Thulden : -a commission given to him by the town of Antwerp soon after the entry of Ferdinand , and published in 1641-42 , in forty ...
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduchess Archduke artist Balthasar Moretus beautiful Breughel Brussels Carleton charm Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery Duke of Buckingham English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris marbles Maria de Medici Mary master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna negotiations Netherlands Nymphs original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Spinola town Virgin whilst wife