RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 12
After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 18. ) A perfect courtier , he was much esteemed by the Prince of Parma , whose court - painter he became .
After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 18. ) A perfect courtier , he was much esteemed by the Prince of Parma , whose court - painter he became .
Page 13
After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 18. ) a with a salary of 400 ducats per annum : and. 13 The Rivergod Tiber (or Tigris) with the Goddess of Plenty In Hermitage at ...
After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 18. ) a with a salary of 400 ducats per annum : and. 13 The Rivergod Tiber (or Tigris) with the Goddess of Plenty In Hermitage at ...
Page 14
They remained in situ until 1811 , when Fig . 9. Christ , from a series of drawings : Christ and the twelve Apostles . In the Albertina at Vienna . After a photograph from the original by Braun , Clément & Cie .
They remained in situ until 1811 , when Fig . 9. Christ , from a series of drawings : Christ and the twelve Apostles . In the Albertina at Vienna . After a photograph from the original by Braun , Clément & Cie .
Page 16
11 After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 22. ) ABRAHAM AND MELCHISEDEK . Drawing in the Albertina at Vienna . Roman portrait - busts . It was as if the cold marble ...
11 After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 22. ) ABRAHAM AND MELCHISEDEK . Drawing in the Albertina at Vienna . Roman portrait - busts . It was as if the cold marble ...
Page 17
After a photograph from the original by Franz Hanfstäng ) , Munich . ( To page 22. ) KNACKFUSS , Rubens . Fig . 26. THE GARLAND OF. The Elevation of the Cross From an engraving by Witdoek.
After a photograph from the original by Franz Hanfstäng ) , Munich . ( To page 22. ) KNACKFUSS , Rubens . Fig . 26. THE GARLAND OF. The Elevation of the Cross From an engraving by Witdoek.
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according adorned altar altar-piece Ambassador Antwerp appears artist beautiful beside Brussels charm Christ Church Clément Clément & Co Collection Cologne colour commission completed composition Court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures France Franz Hanfstäng Gallery Gerbier give hand head Hermitage Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light lived Louvre Madrid Maria master Medici Museum nature original by Braun original by Franz painted painter Paris and New-York Paul peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses powerful present Prince probably pupils Queen reason received representing Rubens Saint scenes seems shows sketch Spain Spanish town whilst whole wife wish wrote young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |