RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
Results 11-15 of 38
Page 45
... painter , -whilst in the foreground kneel the other Maries Fig . 36. HEAD OF A CHILD ( Rubens ' eldest daughter ) . In the Liechtenstein Gallery at Vienna . After a photograph from the original by Braun , Clément & Co , Dornach , Paris ...
... painter , -whilst in the foreground kneel the other Maries Fig . 36. HEAD OF A CHILD ( Rubens ' eldest daughter ) . In the Liechtenstein Gallery at Vienna . After a photograph from the original by Braun , Clément & Co , Dornach , Paris ...
Page 52
... painter . And no one has better represented the excited movements of a restive horse . He positively revelled in portraying the beauty of the fine Andalusian steeds , so much prized at that period for riding and hunting . He ...
... painter . And no one has better represented the excited movements of a restive horse . He positively revelled in portraying the beauty of the fine Andalusian steeds , so much prized at that period for riding and hunting . He ...
Page 56
... painter's own hand ) , for the smaller Last Judgment , but also the sketch for the larger composition , erected in the year 1617 over the altar at Neuburg and subsequently removed to the Collection at Düsseldorf , the capital of the ...
... painter's own hand ) , for the smaller Last Judgment , but also the sketch for the larger composition , erected in the year 1617 over the altar at Neuburg and subsequently removed to the Collection at Düsseldorf , the capital of the ...
Page 58
... painter to visit him at the Hague , to inspect his antique marbles , which formed a collection such as no prince nor ... painters : nesses — - Fig . 48 . THE ANGEL OF THE LORD SMITES THE HOSTS OF SENNACHERIB . Pen and ink drawing in the ...
... painter to visit him at the Hague , to inspect his antique marbles , which formed a collection such as no prince nor ... painters : nesses — - Fig . 48 . THE ANGEL OF THE LORD SMITES THE HOSTS OF SENNACHERIB . Pen and ink drawing in the ...
Page 66
... painter did not disdain to repeat himself : and sometimes made use of earlier compo- sitions , introducing variations appropriate to the subject he was describing . But it is remarkable that he invariably succeeded , in making as ...
... painter did not disdain to repeat himself : and sometimes made use of earlier compo- sitions , introducing variations appropriate to the subject he was describing . But it is remarkable that he invariably succeeded , in making as ...
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Common terms and phrases
adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduchess Archduke artist Balthasar Moretus beautiful Breughel Brussels Carleton charm Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery Duke of Buckingham English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris marbles Maria de Medici Mary master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna negotiations Netherlands Nymphs original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Spinola town Virgin whilst wife