RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 19
parts in the years 1613 and 1622 respectively . For the Jesuit - church ( St .
Ambrogio ) at Genoa he painted – it is uncertain when — two altarpieces : the
Circumcision and St . Ignatius healing a Demoniac and restoring to life Dead
Children .
parts in the years 1613 and 1622 respectively . For the Jesuit - church ( St .
Ambrogio ) at Genoa he painted – it is uncertain when — two altarpieces : the
Circumcision and St . Ignatius healing a Demoniac and restoring to life Dead
Children .
Page 20
It is also probable that he painted in the same city , in order to rival Leonardo , the
Lord ' s Supper which is now in the Brera Collection . EESTE The fact that in 1607
the Archduke Albrecht requested. 20 The Descent from the Cross In the ...
It is also probable that he painted in the same city , in order to rival Leonardo , the
Lord ' s Supper which is now in the Brera Collection . EESTE The fact that in 1607
the Archduke Albrecht requested. 20 The Descent from the Cross In the ...
Page 22
One of the pictures that he painted for the Duke of Mantua , – now ... To the same
category belongs the effective piece of painting in the Pitti Gallery in Florence ,
which represents Mars tearing himself from the arms of Venus in ' answer to the ...
One of the pictures that he painted for the Duke of Mantua , – now ... To the same
category belongs the effective piece of painting in the Pitti Gallery in Florence ,
which represents Mars tearing himself from the arms of Venus in ' answer to the ...
Page 23
He reserved for himself however the picture that he had first painted , in which ,
besides the two Patrons of the church , he had represented the Virgin with other
Saints and Pope Gregory . This painting he subsequently brought back to his
own ...
He reserved for himself however the picture that he had first painted , in which ,
besides the two Patrons of the church , he had represented the Virgin with other
Saints and Pope Gregory . This painting he subsequently brought back to his
own ...
Page 24
Hermann Knackfuss. Fig . 17 . Rubens intended to return at once back to Mantua
: but the Archduke Albrecht and the Infanta Isabella objected to the departure of
their celebrated subject . They therefore commissioned him to paint their portraits
...
Hermann Knackfuss. Fig . 17 . Rubens intended to return at once back to Mantua
: but the Archduke Albrecht and the Infanta Isabella objected to the departure of
their celebrated subject . They therefore commissioned him to paint their portraits
...
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Contents
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Common terms and phrases
according adorned Albertina at Vienna altar altar-piece Ambassador Antwerp appears artist beautiful beside Brussels Buckingham charm Christ Church Clément Clément & Co Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures Fourment France Franz Hanfstäng Gallery Gerbier give hand head Helena Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light live Louvre Love Madrid Maria Mary master Medici Museum nature once original by Braun original by Franz painted painter Paris and New-York peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils Queen received representing Rubens Saint scenes seems shows sketch Spain Spanish town whilst whole wife young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |