Rubens |
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Page 22
Numbers of his paintings prove how deeply he was impressed by the great Italian master - pieces and how much enjoyment he ... Besides other Italian masters , Giulio Romano , whose most important works are at Mantua , had a decided ...
Numbers of his paintings prove how deeply he was impressed by the great Italian master - pieces and how much enjoyment he ... Besides other Italian masters , Giulio Romano , whose most important works are at Mantua , had a decided ...
Page 34
A still more powerful picture is the Descent from the Cross , which the master painted two years later as ... while the work was proceeding , 9 florins , 10 stübers were spent on wine for the master's pupils : and that , after the ...
A still more powerful picture is the Descent from the Cross , which the master painted two years later as ... while the work was proceeding , 9 florins , 10 stübers were spent on wine for the master's pupils : and that , after the ...
Page 38
It cannot be assumed however , that this favourite type of the master , in spite of its pronounced personality , is the actual likeness of any one model . Through decades of years this same attractive figure reappears unchanged ...
It cannot be assumed however , that this favourite type of the master , in spite of its pronounced personality , is the actual likeness of any one model . Through decades of years this same attractive figure reappears unchanged ...
Page 46
Moreover , they do not tell us much ; for the master's power , when settled in Antwerp In the Pinakothek at Munich . After a photograph from the original by Franz Hanfstängi , Munich . ( To page 48. ) Fig . 37.
Moreover , they do not tell us much ; for the master's power , when settled in Antwerp In the Pinakothek at Munich . After a photograph from the original by Franz Hanfstängi , Munich . ( To page 48. ) Fig . 37.
Page 48
An ever increasing number of commissions compelled the master to avail himself of the help of his pupils in executing his pictures , especially in large compositions and replicas : but he himself always put in the final touches ...
An ever increasing number of commissions compelled the master to avail himself of the help of his pupils in executing his pictures , especially in large compositions and replicas : but he himself always put in the final touches ...
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according adorned Albertina at Vienna altar altar-piece Ambassador Antwerp appears artist beautiful Brussels charm Christ church Clément Clément & Co Collection colour commission completion composition Cross daughter death designed desired display Dornach Drawing Dresden Duke effect England English engraving entirely executed expression figures France Franz Hanfstäng Gallery Gallery at Vienna give hand head Hermitage at St Holy Imperial Infant intended Isabella Italy King known ladies landscape later learned letter Liechtenstein light live Louvre Maria Mary master Medici mother Museum original by Braun original by Franz painted painter Paris and New-York Paul peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils received representing Rubens Saint scenes seems shows sketch Spain Spanish studies town whilst whole wife young
Bibliographic information
| Title | Rubens Added t.-p.: Monographs on artists ... IX Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | Harvard University |
| Digitized | 3 Mar 2009 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |