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Page 54
In 1616 Rubens received from the Prince Palatine of Neuburg a commission to
paint 77/1? Last Judgment for the church at Neuburg. This grand subject had
been treated by him already in two separate representations, both of which are
now ...
In 1616 Rubens received from the Prince Palatine of Neuburg a commission to
paint 77/1? Last Judgment for the church at Neuburg. This grand subject had
been treated by him already in two separate representations, both of which are
now ...
Page 70
... splendour; who loved to portray Saints of youthful beauty clad in brillant silks;
to have to represent an ascetic monk: but the artist, who could, if he pleased, do
anything, well understood how to make the most even of this commission.
... splendour; who loved to portray Saints of youthful beauty clad in brillant silks;
to have to represent an ascetic monk: but the artist, who could, if he pleased, do
anything, well understood how to make the most even of this commission.
Page 75
(To page 78.) vast number of times, and the Munich Pinakothek possesses a
replica, though in a much smaller size (Fig. 59). The completion of the Church of
the Jesuits at Antwerp in the year 1620 brought Rubens very extensive
commissions ...
(To page 78.) vast number of times, and the Munich Pinakothek possesses a
replica, though in a much smaller size (Fig. 59). The completion of the Church of
the Jesuits at Antwerp in the year 1620 brought Rubens very extensive
commissions ...
Page 84
He is said to have specially appreciated those commissions, which gave him the
greatest scope for variety of subject: Fig. 67. PORTRAIT OF BARON HE1NR1cn
YON W1co. In the Louvre at Paris. After a photograph from the original by Braun,
...
He is said to have specially appreciated those commissions, which gave him the
greatest scope for variety of subject: Fig. 67. PORTRAIT OF BARON HE1NR1cn
YON W1co. In the Louvre at Paris. After a photograph from the original by Braun,
...
Page 85
It was in 1621, .that he received a commission which, as regards variety and size,
left nothing to be desired. Maria de Medici, widow of Henry IV. of France, had
returned to Paris after her reconciliation with her son Louis XIII. After taking up
her ...
It was in 1621, .that he received a commission which, as regards variety and size,
left nothing to be desired. Maria de Medici, widow of Henry IV. of France, had
returned to Paris after her reconciliation with her son Louis XIII. After taking up
her ...
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Bibliographic information
| Title | Rubens Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | Harvard University |
| Digitized | 3 Mar 2009 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |