RubensVelhagen & Klasing, 1904 - 168 pages |
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Page 70
... colour abjured his natural taste , and avoiding all colour composed the entire picture in a sombre brown tone . Delighting as he did in loveliness of form , he chose here to lay the utmost stress upon the expression of soul : and it is ...
... colour abjured his natural taste , and avoiding all colour composed the entire picture in a sombre brown tone . Delighting as he did in loveliness of form , he chose here to lay the utmost stress upon the expression of soul : and it is ...
Page 78
... colour . The Imperial Picture - Gallery at Vienna possesses two of these sketches ; one by Sebastian Vrancx , who , like Rubens before him , was a pupil of Adam van Noort ; the other , executed in 1665 , by Anton Geringh . Another ...
... colour . The Imperial Picture - Gallery at Vienna possesses two of these sketches ; one by Sebastian Vrancx , who , like Rubens before him , was a pupil of Adam van Noort ; the other , executed in 1665 , by Anton Geringh . Another ...
Page 92
... colour could attain when he exchanged the pen for the brush ( Fig . 77 ) . Portrait - painting was always Rubens ' best opportunity for refreshing his soul at the undefiled source of natural inspiration . In less ambitious . Fig . 75 ...
... colour could attain when he exchanged the pen for the brush ( Fig . 77 ) . Portrait - painting was always Rubens ' best opportunity for refreshing his soul at the undefiled source of natural inspiration . In less ambitious . Fig . 75 ...
Page 97
... colour . 3 The most productive and brilliant period of the artist's career was per- haps , between the years 1620 and 1625 ; for , notwithstanding the pressure of work , which those two vast undertakings : the frescoes for the Jesuit ...
... colour . 3 The most productive and brilliant period of the artist's career was per- haps , between the years 1620 and 1625 ; for , notwithstanding the pressure of work , which those two vast undertakings : the frescoes for the Jesuit ...
Page 98
... colours of which Fig . 80. PORTRAIT OF A MAN . In the Dresden Gallery . After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 94. ) bear no unfavourable comparison with Paolo ...
... colours of which Fig . 80. PORTRAIT OF A MAN . In the Dresden Gallery . After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 94. ) bear no unfavourable comparison with Paolo ...
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduchess Archduke artist Balthasar Moretus beautiful Breughel Brussels Carleton charm Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery Duke of Buckingham English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris marbles Maria de Medici Mary master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna negotiations Netherlands Nymphs original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Spinola town Virgin whilst wife