RubensVelhagen & Klasing, 1904 - 168 pages |
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Results 6-10 of 16
Page 70
... colour abjured his natural taste , and avoiding all colour composed the entire picture in a sombre brown tone . Delighting as he did in loveliness of form , he chose here to lay the utmost stress upon the expression of soul : and it is ...
... colour abjured his natural taste , and avoiding all colour composed the entire picture in a sombre brown tone . Delighting as he did in loveliness of form , he chose here to lay the utmost stress upon the expression of soul : and it is ...
Page 78
... colour . 1 The Imperial Picture - Gallery at Vienna possesses two of these sketches ; one by Sebastian Vrancx , who , like Rubens before him , was a pupil of Adam van Noort ; the other , executed in 1665 , by Anton Geringh . Another ...
... colour . 1 The Imperial Picture - Gallery at Vienna possesses two of these sketches ; one by Sebastian Vrancx , who , like Rubens before him , was a pupil of Adam van Noort ; the other , executed in 1665 , by Anton Geringh . Another ...
Page 92
... colour could attain when he exchanged the pen for the brush ( Fig . 77 ) . Portrait - painting was always Rubens ' best opportunity for refreshing his soul at the undefiled source of natural inspiration . In less ambitious . Fig . 75 ...
... colour could attain when he exchanged the pen for the brush ( Fig . 77 ) . Portrait - painting was always Rubens ' best opportunity for refreshing his soul at the undefiled source of natural inspiration . In less ambitious . Fig . 75 ...
Page 97
... colour . The most productive and brilliant period of the artist's career was per- haps , between the years 1620 and 1625 ; for , notwithstanding the pressure of work , which those two vast undertakings : the frescoes for the Jesuit ...
... colour . The most productive and brilliant period of the artist's career was per- haps , between the years 1620 and 1625 ; for , notwithstanding the pressure of work , which those two vast undertakings : the frescoes for the Jesuit ...
Page 98
... colours of which Fig . 80. PORTRAIT OF A MAN . In the Dresden Gallery . After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 94. ) bear no unfavourable comparison with Paolo ...
... colours of which Fig . 80. PORTRAIT OF A MAN . In the Dresden Gallery . After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 94. ) bear no unfavourable comparison with Paolo ...
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adorned Albertina at Vienna altar altar-piece Ambassador Antwerp Antwerp Museum Archduchess artist Balthasar Moretus beautiful Berlin Museum Breughel Brussels Buckingham Carleton charm Clément Clément & Co Collection Cologne colour commission composition Cross daughter death decoration designed Dornach Drawing Dresden Gallery Duke of Mantua England engraving executed figures Flemish florins France Franz Hanfstängl Gallery at Cassel Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Holy Imperial Gallery Imperial Museum Infant Christ Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris Madrid Maria de Medici master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna original by Braun original by Franz painted painter Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint scenes seems sketch Spanish Vienna Fig Virgin whilst wife