RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
Results 6-10 of 16
Page 72
... arms to ward off the Roman with his cruel weapon ( Fig . 58 ) . In this picture , known by the name of Coup de lance , it is remarkable how all rules of perspective are ignored , and how little the natural dimensions of the respective ...
... arms to ward off the Roman with his cruel weapon ( Fig . 58 ) . In this picture , known by the name of Coup de lance , it is remarkable how all rules of perspective are ignored , and how little the natural dimensions of the respective ...
Page 80
... arms , the floor of which is covered with a magnificent carpet , is seated the Countess , attired in a gown of black silk . With her right hand she caresses a huge hound , who lays his head affectionately in her lap . To her left a ...
... arms , the floor of which is covered with a magnificent carpet , is seated the Countess , attired in a gown of black silk . With her right hand she caresses a huge hound , who lays his head affectionately in her lap . To her left a ...
Page 97
... arms of the Christian City of Constantinople , which date back to Latin times . These are unfortunately not visible in the small illustration . Rubens again made use of this same bizarre personality for the figure of the Moorish King in ...
... arms of the Christian City of Constantinople , which date back to Latin times . These are unfortunately not visible in the small illustration . Rubens again made use of this same bizarre personality for the figure of the Moorish King in ...
Page 101
... tired of the war , and would be con- tent to lay down their arms That is why the Marquis Spinola so firmly resolved either to capture Breda , or to bury his corpse and his honour in its defences " . It stands to reason that.
... tired of the war , and would be con- tent to lay down their arms That is why the Marquis Spinola so firmly resolved either to capture Breda , or to bury his corpse and his honour in its defences " . It stands to reason that.
Page 103
... arms which Rubens was to bear is described as follows : " A diagonal escutcheon : on the upper half , a black hunting horn on a field or , and two cinquefoiled roses with gold - tipped petals ; on the lower one a lily or on a field ...
... arms which Rubens was to bear is described as follows : " A diagonal escutcheon : on the upper half , a black hunting horn on a field or , and two cinquefoiled roses with gold - tipped petals ; on the lower one a lily or on a field ...
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduke artist Balthasar Moretus Berlin Museum Brussels Cardinal Infant Carleton charm Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna Gerbier hand Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS ladies landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris marble Maria de Medici master master-pieces Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna mythological negotiations Netherlands nymph original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Spinola town Virgin whilst wife wrote