Rubens |
From inside the book
Results 6-10 of 25
Page 36
The idea of Christ being thus carried is the binding link in all four representations
: and the one main thought that runs through the whole altar-piece: First, as the
Incarnate Son of God in the Visitation; again, in the Presentation in the Temple; ...
The idea of Christ being thus carried is the binding link in all four representations
: and the one main thought that runs through the whole altar-piece: First, as the
Incarnate Son of God in the Visitation; again, in the Presentation in the Temple; ...
Page 42
They are probably sketches for the charming picture painted at this period: Mary
wi/l1 the Infant Christ surrounded by playful Cherubs (Fig. 25); originally no doubt
an altar-piece, but now in the Gallery of the Louvre. He also designed a number ...
They are probably sketches for the charming picture painted at this period: Mary
wi/l1 the Infant Christ surrounded by playful Cherubs (Fig. 25); originally no doubt
an altar-piece, but now in the Gallery of the Louvre. He also designed a number ...
Page 54
(Sketch for the altar-piece in the Museum at Antwerp.) In the Albertina at Vienna
After a photograph from the original by Braun , Clement & Co., Dornach, Paris
and New- York. (To page 61.) a dense cloud of smoke toward the Judge,
enthroned ...
(Sketch for the altar-piece in the Museum at Antwerp.) In the Albertina at Vienna
After a photograph from the original by Braun , Clement & Co., Dornach, Paris
and New- York. (To page 61.) a dense cloud of smoke toward the Judge,
enthroned ...
Page 62
For the church of St. John in that city, he was commissioned towards the end of
1616 to paint an Altar-piece representing the Adoration of the Magi. It was a
composition which he had treated once before with great success, on. Fig. 52. "
MARY ...
For the church of St. John in that city, he was commissioned towards the end of
1616 to paint an Altar-piece representing the Adoration of the Magi. It was a
composition which he had treated once before with great success, on. Fig. 52. "
MARY ...
Page 64
The subject of this latter painting, the Finding of the Tribute Money, appears also
on one of the wings of the altar-piece at Malines; while the pendant represents
Tobias dragging a Fish out of the Sea, at the bidding of the Angel Raphael.
The subject of this latter painting, the Finding of the Tribute Money, appears also
on one of the wings of the altar-piece at Malines; while the pendant represents
Tobias dragging a Fish out of the Sea, at the bidding of the Angel Raphael.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
according adorned Albertina at Vienna altar-piece Antwerp appears artist beautiful Brussels charm Christ church Clément Collection Cologne colour commission completion composition Court Cross daughter death decoration designed desired display Dornach Drawing Dresden Duke effect England English engraving entirely executed expression figures Fourment France Franz Hanſstängl Gallery Gallery at Vienna give hand head Hermitage at St Holy Imperial Infant intended Isabella Italy King known Lady landscape later learned letter Liechtenstein light live Louvre Love Madrid Maria Mary master Medici mother Museum original by Braun original by Franz painted painter Paris and New-York Paul peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils received representing Rubens Saint scenes seems shows sketch Spain Spanish Study town whilst whole wife young
Bibliographic information
| Title | Rubens Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | Harvard University |
| Digitized | 3 Mar 2009 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |