RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 38
He fashioned a sumptuous Palace in the late Renaissance style , which he
further furnished with princely splendour ; and in the garden erected a richly
adorned circular building to contain his own art - treasures and antique marbles .
He fashioned a sumptuous Palace in the late Renaissance style , which he
further furnished with princely splendour ; and in the garden erected a richly
adorned circular building to contain his own art - treasures and antique marbles .
Page 58
Carleton was particularly anxious that the artist himself should chose the latter ,
wich were to be adorned with representations of figures , for him . Rubens
mentions in the letter , in which he consents to this proposition that he had that
year ...
Carleton was particularly anxious that the artist himself should chose the latter ,
wich were to be adorned with representations of figures , for him . Rubens
mentions in the letter , in which he consents to this proposition that he had that
year ...
Page 78
In the Plantin - Moretus Museum there are drawings by Jacob de Wit , and
reproductions from the 36 paintings which adorned the ceilings of the aisles and
of the galleries over them : but of the three paintings which were in the vestibule
only ...
In the Plantin - Moretus Museum there are drawings by Jacob de Wit , and
reproductions from the 36 paintings which adorned the ceilings of the aisles and
of the galleries over them : but of the three paintings which were in the vestibule
only ...
Page 106
Her eyes are as bright as in the pictures painted of her in early youth , whilst a
pleasant smile seems ever ready on her lips . In the background we may notice a
piece of architecture , with which the master had adorned his garden ( Fig . 91 ) .
Her eyes are as bright as in the pictures painted of her in early youth , whilst a
pleasant smile seems ever ready on her lips . In the background we may notice a
piece of architecture , with which the master had adorned his garden ( Fig . 91 ) .
Page 122
Rubens filled the nine sections of the ceiling with boldly foreshortened allegorical
figures , seen in perspective from below , and with charming friezes adorned with
putti : but we must not find fault with him , because these allegorical ...
Rubens filled the nine sections of the ceiling with boldly foreshortened allegorical
figures , seen in perspective from below , and with charming friezes adorned with
putti : but we must not find fault with him , because these allegorical ...
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according adorned Albertina altar Ambassador Antwerp appears artist belong Brussels Buckingham charm Christ Church Clément Clément & Co Collection Cologne colour commission completion composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures France Franz Hanfstäng Gallery Gerbier give hand head Helena Fourment Hermitage Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light lived Louvre Madrid Maria master Medici Museum nature object original by Braun original by Franz painted painter Paris and New-York Paul peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses powerful present Prince probably reason received representing Rubens scenes seems shows sketch Spain Spanish town Vienna whilst whole wife wish wrote young