RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
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Page 15
... Vienna ( Fig . 2 ) , representing his two patrons , Saint Peter and Saint Paul . It is most interesting to examine closely the manner in which Rubens set to work when copying Italian Masters . His copies of the portrait of Isabella d ...
... Vienna ( Fig . 2 ) , representing his two patrons , Saint Peter and Saint Paul . It is most interesting to examine closely the manner in which Rubens set to work when copying Italian Masters . His copies of the portrait of Isabella d ...
Page 16
... ( Figs . 4-5 ) . The thorough grasp that Rubens acquired of the classical beauty of old marbles is best proved by the profiles of a Roman couple , now in the collection of Prince . Liechtenstein in Vienna ( Fig . 6 ) . There are also in ...
... ( Figs . 4-5 ) . The thorough grasp that Rubens acquired of the classical beauty of old marbles is best proved by the profiles of a Roman couple , now in the collection of Prince . Liechtenstein in Vienna ( Fig . 6 ) . There are also in ...
Page 18
... ( Fig . 7 ) . Side by side with these vigorous drawings , we should also mention the noble sketch of an old man with a ... Vienna ( Fig . 9 ) . The excellent portrait of a Franciscan priest , now in the Munich Pinakothek , is said also to ...
... ( Fig . 7 ) . Side by side with these vigorous drawings , we should also mention the noble sketch of an old man with a ... Vienna ( Fig . 9 ) . The excellent portrait of a Franciscan priest , now in the Munich Pinakothek , is said also to ...
Page 21
Hermann Knackfuss. Fig . 15. THE ILDEFONSO ALTAR . In the Imperial Gallery at Vienna . ( To page 30. ) THE ELEVATION OF THE CROSS . THE ELEVATION OF THE.
Hermann Knackfuss. Fig . 15. THE ILDEFONSO ALTAR . In the Imperial Gallery at Vienna . ( To page 30. ) THE ELEVATION OF THE CROSS . THE ELEVATION OF THE.
Page 22
... Vienna , Cassel and Munich ( Fig . 12 ) . If such allegories have little interest for us at the present day , they were much appreciated at that time . To the same category belongs the effective piece of painting in the Pitti Gallery in ...
... Vienna , Cassel and Munich ( Fig . 12 ) . If such allegories have little interest for us at the present day , they were much appreciated at that time . To the same category belongs the effective piece of painting in the Pitti Gallery in ...
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduchess Archduke artist Balthasar Moretus beautiful Breughel Brussels Carleton charm Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery Duke of Buckingham English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris marbles Maria de Medici Mary master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna negotiations Netherlands Nymphs original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Spinola town Virgin whilst wife