RubensVelhagen & Klasing, 1904 - 168 pages |
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Page 14
... Christ and the twelve Apostles . In the Albertina at Vienna . After a photograph from the original by Braun , Clément & Cie . , Dornach , Paris and New - York . ( To page 18. ) they were brought to England , only to be sold. 14.
... Christ and the twelve Apostles . In the Albertina at Vienna . After a photograph from the original by Braun , Clément & Cie . , Dornach , Paris and New - York . ( To page 18. ) they were brought to England , only to be sold. 14.
Page 15
... Vienna ( Fig . 2 ) , representing his two patrons , Saint Peter and Saint Paul . It is most interesting to examine closely the manner in which Rubens set to work when copying Italian Masters . His copies of the portrait of Isabella d ...
... Vienna ( Fig . 2 ) , representing his two patrons , Saint Peter and Saint Paul . It is most interesting to examine closely the manner in which Rubens set to work when copying Italian Masters . His copies of the portrait of Isabella d ...
Page 16
... Vienna . Roman portrait - busts . It was as if the cold marble awoke to life before his soul and it was under such impressions that he executed those trans- lations of ancient portraits which in 1638 were multiplied by Vosterman , P ...
... Vienna . Roman portrait - busts . It was as if the cold marble awoke to life before his soul and it was under such impressions that he executed those trans- lations of ancient portraits which in 1638 were multiplied by Vosterman , P ...
Page 18
... Vienna ( Fig . 9 ) . The excellent portrait of a Franciscan priest , now in the Munich Pinakothek , is said also to have been painted in Spain ( Fig . 10 ) . At the beginning of 1604 Rubens returned to Mantua , where his chief work ...
... Vienna ( Fig . 9 ) . The excellent portrait of a Franciscan priest , now in the Munich Pinakothek , is said also to have been painted in Spain ( Fig . 10 ) . At the beginning of 1604 Rubens returned to Mantua , where his chief work ...
Page 21
Hermann Knackfuss. Fig . 15. THE ILDEFONSO ALTAR . In the Imperial Gallery at Vienna . ( To page 30. ) Fig . 16. THE ELEVATION OF THE CROSS . THE.
Hermann Knackfuss. Fig . 15. THE ILDEFONSO ALTAR . In the Imperial Gallery at Vienna . ( To page 30. ) Fig . 16. THE ELEVATION OF THE CROSS . THE.
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduke artist Balthasar Moretus Berlin Museum Brussels Cardinal Infant Carleton charm Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna Gerbier hand Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS ladies landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris marble Maria de Medici master master-pieces Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna mythological negotiations Netherlands nymph original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Spinola town Virgin whilst wife wrote