RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
Results 16-20 of 31
Page 74
... Antwerp Museum ; in which Christ hangs high on the Cross , alone and forsaken , with only silent nature around him . The vividly white body of the dead Saviour shines as the only light through the pre- vailing darkness . This splendid ...
... Antwerp Museum ; in which Christ hangs high on the Cross , alone and forsaken , with only silent nature around him . The vividly white body of the dead Saviour shines as the only light through the pre- vailing darkness . This splendid ...
Page 80
... Museum , which , after an absence of six years , was brought back to Vienna in 1815 , there is yet another work of the master , the most celebrated re- presentation of this subject , —which adorns the high - altar of the Cathedral at ...
... Museum , which , after an absence of six years , was brought back to Vienna in 1815 , there is yet another work of the master , the most celebrated re- presentation of this subject , —which adorns the high - altar of the Cathedral at ...
Page 86
... Antwerp altarpieces in the Imperial Museum at Vienna , is not known : but there is no doubt that it was painted in 1621 , and the choice of that particular Saint seems to refer to the Abbé of St. Ambroise , to whom Rubens was indebted ...
... Antwerp altarpieces in the Imperial Museum at Vienna , is not known : but there is no doubt that it was painted in 1621 , and the choice of that particular Saint seems to refer to the Abbé of St. Ambroise , to whom Rubens was indebted ...
Page 97
... Museum at Antwerp is 6 ft . high by 3 ft . 20 wide and was painted by the master him- self in 1624 in the short space of 13 days . It may be inferior in some respects to his other representations of the same subject : but it is unsur ...
... Museum at Antwerp is 6 ft . high by 3 ft . 20 wide and was painted by the master him- self in 1624 in the short space of 13 days . It may be inferior in some respects to his other representations of the same subject : but it is unsur ...
Page 108
... Antwerp , they were bought by the Archduke Leopold of Austria , and thus they now form part of the Imperial Museum at Vienna . The dilettante tastes of Buckingham gave Rubens a pretext for under- taking , without attracting attention ...
... Antwerp , they were bought by the Archduke Leopold of Austria , and thus they now form part of the Imperial Museum at Vienna . The dilettante tastes of Buckingham gave Rubens a pretext for under- taking , without attracting attention ...
Other editions - View all
Common terms and phrases
adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduchess Archduke artist Balthasar Moretus beautiful Breughel Brussels Carleton charm Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery Duke of Buckingham English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris marbles Maria de Medici Mary master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna negotiations Netherlands Nymphs original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Spinola town Virgin whilst wife