RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
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Page 71
... King David , are wonderful in the realism of their expression ( Fig . 54 ) . The peculiarly attractive , and graciously modelled figure of a woman , with hair and complexion shining , as it were , in their own brilliance , so fre ...
... King David , are wonderful in the realism of their expression ( Fig . 54 ) . The peculiarly attractive , and graciously modelled figure of a woman , with hair and complexion shining , as it were , in their own brilliance , so fre ...
Page 86
... King ; 12 ) The Queen's Reign ; 13 ) Her Military Campaigns at Pont de Cé ( Fig . 70 ) ; 14 ) The Exchange of the two Brides : i . e . Anna of Austria , Infanta of Spain , and the Princess Elisabeth of France ; 15 ) The Blessings of ...
... King ; 12 ) The Queen's Reign ; 13 ) Her Military Campaigns at Pont de Cé ( Fig . 70 ) ; 14 ) The Exchange of the two Brides : i . e . Anna of Austria , Infanta of Spain , and the Princess Elisabeth of France ; 15 ) The Blessings of ...
Page 88
... King of France stood with her before the Altar : - is still more like a picture drawn from actral fact . From an artistic point of view , it would not have mattered in the least had he — painted a page as train - bearer to the bride. 88.
... King of France stood with her before the Altar : - is still more like a picture drawn from actral fact . From an artistic point of view , it would not have mattered in the least had he — painted a page as train - bearer to the bride. 88.
Page 90
... King examines for the first time the portrait of his Bride ; or when the Queen is overcome by the sight of her first- born , and where at the Reconciliation she smiles at him through her tears . The whole work is one great thought ...
... King examines for the first time the portrait of his Bride ; or when the Queen is overcome by the sight of her first- born , and where at the Reconciliation she smiles at him through her tears . The whole work is one great thought ...
Page 97
... King in an Adoration of the Magi , painted as an altarpiece for the Abbey - Church of St. Michael . This painting , now in the Museum at Antwerp is 6 ft . high by 3 ft . 20 wide and was painted by the master him- self in 1624 in the ...
... King in an Adoration of the Magi , painted as an altarpiece for the Abbey - Church of St. Michael . This painting , now in the Museum at Antwerp is 6 ft . high by 3 ft . 20 wide and was painted by the master him- self in 1624 in the ...
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adorned Albertina at Vienna altar altar-piece Ambassador Antwerp Antwerp Museum Archduchess artist Balthasar Moretus beautiful Berlin Museum Breughel Brussels Buckingham Carleton charm Clément Clément & Co Collection Cologne colour commission composition Cross daughter death decoration designed Dornach Drawing Dresden Gallery Duke of Mantua England engraving executed figures Flemish florins France Franz Hanfstängl Gallery at Cassel Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Holy Imperial Gallery Imperial Museum Infant Christ Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris Madrid Maria de Medici master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna original by Braun original by Franz painted painter Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint scenes seems sketch Spanish Vienna Fig Virgin whilst wife