RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
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Page 38
... Cross at Antwerp , frequently recurs in his paintings and not invariably as Mary Magdalen . It has often been stated that this very Flemish type of beauty is that of the artist's first wife ; but , setting aside some national Flemish ...
... Cross at Antwerp , frequently recurs in his paintings and not invariably as Mary Magdalen . It has often been stated that this very Flemish type of beauty is that of the artist's first wife ; but , setting aside some national Flemish ...
Page 57
... Cross , of which the artist says , that it was " perhaps the best picture he had ever painted " ; a smaller replica of the Palatine Last Judgment , - the work of a pupil which , however , might pose as an original if the master were to ...
... Cross , of which the artist says , that it was " perhaps the best picture he had ever painted " ; a smaller replica of the Palatine Last Judgment , - the work of a pupil which , however , might pose as an original if the master were to ...
Page 71
... picture in the Liechtenstein - Gallery . Here her exquisite — figure , in the full bloom of health and vigour. Fig . 57. THE FOUR CONTINENTS . In the Imperial Gallery at Vienna . Fig . 58. CHRIST ON THE CROSS . In the. 71.
... picture in the Liechtenstein - Gallery . Here her exquisite — figure , in the full bloom of health and vigour. Fig . 57. THE FOUR CONTINENTS . In the Imperial Gallery at Vienna . Fig . 58. CHRIST ON THE CROSS . In the. 71.
Page 72
... cross and resting her head and body against it , holds up her white arms to ward off the Roman with his cruel weapon ( Fig . 58 ) . In this picture , known by the name of Coup de lance , it is remarkable how all rules of perspective are ...
... cross and resting her head and body against it , holds up her white arms to ward off the Roman with his cruel weapon ( Fig . 58 ) . In this picture , known by the name of Coup de lance , it is remarkable how all rules of perspective are ...
Page 73
... far above all the griefs and the passions of this world . The artist again depicted the Death of the Saviour ,. Fig . 58. CHRIST ON THE CROSS . In the Museum at Antwerp . ( To page 72. ) ( To page 78. ) ( To page 81. ) 73.
... far above all the griefs and the passions of this world . The artist again depicted the Death of the Saviour ,. Fig . 58. CHRIST ON THE CROSS . In the Museum at Antwerp . ( To page 72. ) ( To page 78. ) ( To page 81. ) 73.
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduchess Archduke artist Balthasar Moretus beautiful Breughel Brussels Carleton charm Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery Duke of Buckingham English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris marbles Maria de Medici Mary master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna negotiations Netherlands Nymphs original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Spinola town Virgin whilst wife