RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
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Page 38
... Cross at Antwerp , frequently recurs in his paintings and not invariably as Mary Magdalen . It has often been stated that this very Flemish type of beauty is that of the artist's first wife ; but , setting aside some national Flemish ...
... Cross at Antwerp , frequently recurs in his paintings and not invariably as Mary Magdalen . It has often been stated that this very Flemish type of beauty is that of the artist's first wife ; but , setting aside some national Flemish ...
Page 57
... Cross , of which the artist says , that it was " perhaps the best picture he had ever painted " ; a smaller replica of the Palatine Last Judgment , - - the work of a pupil which , however , might pose as an original if the master were ...
... Cross , of which the artist says , that it was " perhaps the best picture he had ever painted " ; a smaller replica of the Palatine Last Judgment , - - the work of a pupil which , however , might pose as an original if the master were ...
Page 65
... . He purposely facilitated the. CHRIST AND THE FOUR PENITENTS . In the Pinakothek at Munich . After a photograph from the original by Franz Hanfstängl , Munich . ( To page 71. ) Fig . 58. CHRIST ON THE CROSS . In the. 65.
... . He purposely facilitated the. CHRIST AND THE FOUR PENITENTS . In the Pinakothek at Munich . After a photograph from the original by Franz Hanfstängl , Munich . ( To page 71. ) Fig . 58. CHRIST ON THE CROSS . In the. 65.
Page 72
... cross and resting her head and body against it , holds up her white arms to ward off the Roman with his cruel weapon ( Fig . 58 ) . In this picture , known by the name of Coup de lance , it is remarkable how all rules of perspective are ...
... cross and resting her head and body against it , holds up her white arms to ward off the Roman with his cruel weapon ( Fig . 58 ) . In this picture , known by the name of Coup de lance , it is remarkable how all rules of perspective are ...
Page 73
... all the griefs and the passions of this world . The artist again depicted the Death of the Saviour ,. Fig . 58. CHRIST ON THE CROSS . In the Museum at Antwerp . ( To page 72. ) ( To page 78. ) In the Hermitage at St. 73.
... all the griefs and the passions of this world . The artist again depicted the Death of the Saviour ,. Fig . 58. CHRIST ON THE CROSS . In the Museum at Antwerp . ( To page 72. ) ( To page 78. ) In the Hermitage at St. 73.
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Common terms and phrases
adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduke artist Balthasar Moretus Berlin Museum Brussels Buckingham Cardinal Infant Carleton charm Church Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery Duke English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna GARDEN OF LOVE Gerbier hand Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS ladies landscape letter Liechtenstein Gallery Louvre Louvre at Paris Mantua marble Maria de Medici master Munich Pinakothek Museum at Antwerp Museum at Vienna negotiations Netherlands original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait Prince pupils Queen representing Saint Scaglia scenes Schelte seems sketch Spanish town Virgin whilst wife wrote