RubensVelhagen & Klasing, 1904 - 168 pages |
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Page 38
... Cross at Antwerp , frequently recurs in his paintings and not invariably as Mary Magdalen . It has often been stated that this very Flemish type of beauty is that of the artist's first wife ; but , setting aside some national Flemish ...
... Cross at Antwerp , frequently recurs in his paintings and not invariably as Mary Magdalen . It has often been stated that this very Flemish type of beauty is that of the artist's first wife ; but , setting aside some national Flemish ...
Page 57
... Cross , of which the artist says , that it was " perhaps the best picture he had ever painted " ; a smaller replica of the Palatine Last Judgment , - - the work of a pupil which , however , might pose as an original if the master were ...
... Cross , of which the artist says , that it was " perhaps the best picture he had ever painted " ; a smaller replica of the Palatine Last Judgment , - - the work of a pupil which , however , might pose as an original if the master were ...
Page 71
... figure , in the full bloom of health and vigour. After a photograph from the original by J. Löwy , Vienna . ( To page 72. ) THE FOUR CONTINENTS . In the Imperial Gallery at Vienna . Fig . 58. CHRIST ON THE CROSs . In the. 71.
... figure , in the full bloom of health and vigour. After a photograph from the original by J. Löwy , Vienna . ( To page 72. ) THE FOUR CONTINENTS . In the Imperial Gallery at Vienna . Fig . 58. CHRIST ON THE CROSs . In the. 71.
Page 72
... cross and resting her head and body against it , holds up her white arms to ward off the Roman with his cruel weapon ( Fig . 58 ) . In this picture , known by the name of Coup de lance , it is remarkable how all rules of perspective are ...
... cross and resting her head and body against it , holds up her white arms to ward off the Roman with his cruel weapon ( Fig . 58 ) . In this picture , known by the name of Coup de lance , it is remarkable how all rules of perspective are ...
Page 73
... the Crucified Christ far above all the griefs and the passions of this world . The artist again depicted the Death of the Saviour ,. Fig . 58. CHRIST ON THE CROSs . In the Museum at Antwerp . ( To page 72. ) ( To page 78. ) 73.
... the Crucified Christ far above all the griefs and the passions of this world . The artist again depicted the Death of the Saviour ,. Fig . 58. CHRIST ON THE CROSs . In the Museum at Antwerp . ( To page 72. ) ( To page 78. ) 73.
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adorned Albertina at Vienna altar altar-piece Ambassador Antwerp Antwerp Museum Archduchess artist Balthasar Moretus beautiful Berlin Museum Breughel Brussels Buckingham Carleton charm Clément Clément & Co Collection Cologne colour commission composition Cross daughter death decoration designed Dornach Drawing Dresden Gallery Duke of Mantua England engraving executed figures Flemish florins France Franz Hanfstängl Gallery at Cassel Gallery at Vienna Gerbier hand head Helena Fourment Hermitage at St Holy Imperial Gallery Imperial Museum Infant Christ Isabella Brant King of Spain KNACKFUSS LADY landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris Madrid Maria de Medici master Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna original by Braun original by Franz painted painter Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint scenes seems sketch Spanish Vienna Fig Virgin whilst wife