Popular Music: Music and identity, Volume 3Simon Frith Psychology Press, 2004 - 409 pages |
Contents
Music and socialbility | 5 |
Let all the world hear all the worlds music popular musicmaking and music education | 7 |
Towards an aesthetic of popular music | 32 |
Pathways in urban living | 48 |
Systems of articulation logic of change communities and scenes in popular music | 79 |
Place exchange and meaning Black Sea musicians in the West of Ireland | 101 |
Music nationality and imagined community | 117 |
Honky Tonk the music of the Southern working class | 119 |
Contando la Cama Vacia love sexuality and gender relationships in Dominican Bachata | 209 |
Somos el Peru Cumbia Andina and the children of Andean Migrants in Lima | 231 |
Nationalism on stage music and change in Soviet Ukraine | 249 |
Fantasies of home The antinomies of modernity and the music of Ladysmith Black Mambazo | 266 |
Music modernity and postmodernity | 283 |
The search for Petula Clark | 285 |
Modern music culture on shock pop and synthesis | 293 |
Cruising around the historical bloc Postmodernism and popular music in East Los Angeles | 324 |
Paul Simons Graceland South Africa and the mediation of musical meaning | 126 |
My love is in America migration and Irish music | 164 |
Sounds authentic Black Music ethnicity and the challenge of a changing same | 182 |
Ethnomusicology | 207 |
Other editions - View all
Popular Music - Critical Concepts in Media and Cultural Studies: V i Music ... Simon Frith No preview available - 2004 |
Common terms and phrases
activity aesthetic African music album alternative rock American Angeles articulated artists audience authenticity avant-garde bachata bağlama band black cultural Black music Black Sea Chicano chicha choirs collaboration commercial concept contemporary context country music critical cultural forms cumbia dance music dominant economic emigration ethnic ethnomusicology example experience expression festival genre Graceland groups hip hop historical honky tonk identity important individual instrumental Ireland Irish dance music Irish music isicathamiya jazz kemençe Kodály Ladysmith Black Mambazo listeners lives Los Lobos meaning migrant modern modernist music-making musical culture musical pathways musical practices musical styles musicians nationalist Pariguayo participants particular play players political pop music popular culture popular music postmodern production provincianos punk racial record relationship rural sense sexual significant Simon singers social society songs sound South African Soviet specific structure tion traditional Ukraine Ukrainian urban wayno women York Zulu