Fine Print, Volume 13S. Kirshenbaum, 1987 |
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Page 35
... roman and italic , greatly influenced by the styles of Walter Tiemann and Peter Behrens . Only here and there did it show some hints of the Menhart leitmotifs which would occur again in his later designs : the serifs which are blunted ...
... roman and italic , greatly influenced by the styles of Walter Tiemann and Peter Behrens . Only here and there did it show some hints of the Menhart leitmotifs which would occur again in his later designs : the serifs which are blunted ...
Page 48
... roman type . Although the Romans de- rived their epigraphic tradition from the Greeks , Greek letter- forms were constructed with a freely placed monoline , reflecting the difference in institutional practices in the two economies . The ...
... roman type . Although the Romans de- rived their epigraphic tradition from the Greeks , Greek letter- forms were constructed with a freely placed monoline , reflecting the difference in institutional practices in the two economies . The ...
Page 197
... Roman as well suited to the text and the period . Monotype Scotch Roman is based on types cut in Edinburgh in the early nineteenth century . Following European models based on types of Bo- doni and Didot , Richard Austin cut new ...
... Roman as well suited to the text and the period . Monotype Scotch Roman is based on types cut in Edinburgh in the early nineteenth century . Following European models based on types of Bo- doni and Didot , Richard Austin cut new ...
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