Fine Print, Volume 13S. Kirshenbaum, 1987 |
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Page 17
... ( Color etchings and color engravings ) , title page and page spread . Prague , 1909 . Vojtěch Preissig , vignettes for Petr Bezruč's Slezské písně (. VOIT . PREISSIG : BAREVNÝ LEPT A BAREVNÁ RY TINA . TECHNIC ΤΙΝΑ KÉ POZNÁMKY DÍL I ...
... ( Color etchings and color engravings ) , title page and page spread . Prague , 1909 . Vojtěch Preissig , vignettes for Petr Bezruč's Slezské písně (. VOIT . PREISSIG : BAREVNÝ LEPT A BAREVNÁ RY TINA . TECHNIC ΤΙΝΑ KÉ POZNÁMKY DÍL I ...
Page 139
... color led them to develop their theory of " simultaneity " between 1910 and 1912. Inspired by the implication of abstraction inherent in cubism , they proposed that areas of pure color - which when painted in close proximity modify and ...
... color led them to develop their theory of " simultaneity " between 1910 and 1912. Inspired by the implication of abstraction inherent in cubism , they proposed that areas of pure color - which when painted in close proximity modify and ...
Page 182
... color and design of the binding pick up elements from some of the prints ( particularly that of Salerno cathedral ) . Opening the book , we notice how paper and print have been varied as a means of carrying the textures and appearance ...
... color and design of the binding pick up elements from some of the prints ( particularly that of Salerno cathedral ) . Opening the book , we notice how paper and print have been varied as a means of carrying the textures and appearance ...
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