The Films of the Eighties: A Social HistorySouthern Illinois University Press, 1993 - 335 pages In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it. |
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... Yuppie filmmakers like Steven Spielberg , George Lucas , and Ron Howard reached their positions of power in eighties Hollywood , according to industry analyst Tony Hoff- man , because " they're going to make commercial hits ... movies ...
... yuppie uniform in Down and Out in Beverly Hills are such accessories as a dog psychiatrist and the necessity of ... yuppie Wall Street broker ( Dan Aykroyd ) are forced to switch lives . When the conman enters the yuppie world , his ...
... yuppie ease aboard their sailboat off the French Riviera . But Joan Wilder , the yuppie wall- flower , is bored . Their yuppie lifestyle has once again proven unsatisfying . Albert Brooks's Lost in America ( 1985 ) and Martin Scorcese's ...
Contents
The Vietnam War as Film Text | 16 |
The Coming Home Films | 61 |
The Terrorism Film Texts | 114 |
Copyright | |
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