The Films of the Eighties: A Social History
Southern Illinois University Press, 1993 - 335 pages
In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties.
Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies.
Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.
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... turn upon us and ultimately destroy us . Other sci - fi horror movies of the eighties , Ridley Scott's Alien ( 1979 ) and James Cameron's ( also the director of The Terminator ) Aliens ( 1986 ) , carry a similar message . Both films ...
... turn the boats around . DOCTOR OAKES : Full Retaliatory Response . He didn't bat an eye . . . . We got up and went to the ... turns out , in The Day After people are every bit “ that crazy , ” and the false sense of security , based in a ...
... turns on itself and starts emphasizing their similarities . Ridiculously in mid - fight , Drago , who has been a silent robot all through the film , is suddenly converted to the American rugged individu- alism that Rocky has represented ...
The Vietnam War as Film Text
The Coming Home Films
The Terrorism Film Texts
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