The Films of the Eighties: A Social History
Southern Illinois University Press, 1993 - 335 pages
In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties.
Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies.
Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.
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terrorist act , the first rhetorical position taken is the claiming of responsibility . The terrorist act , at this stage , has been a tool for bestowing identity , for naming the group that claims responsibility .
The films of the eighties have consistently focused on this new villain , the terrorist . While the terrorist film history is by no means as chronologically organized in its evolution as is the Vietnam War film history , yet it is ...
Fittingly , he orders his terrorist pawn Verloc to bomb the Greenwich Observatory . The Chuck Norris shoot - em - up Invasion USA ( 1985 ) is perhaps the best example of this action film exploitation of the terrorist scenario .
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The Vietnam War as Film Text
The Coming Home Films
The Terrorism Film Texts
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