The Films of the Eighties: A Social History
Southern Illinois University Press, 1993 - 335 pages
In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties.
Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies.
Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.
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The Rhetoric of Terrorism a Terrorism is the dramatization of violent events directed toward innocent people in ... Thus terrorism is a rhetorical tool , a word tactic , that serves political ends by means of threat and blackmail .
Harp's answer confirms the rhetorical intention of terrorism : “ He isn't comfortable in Europe . ... in a crowded London department store , Wulfgar steps into a phone booth and launches into the rhetoric of terrorism : “ United Press .
Through the personality cult fascination of the media for Reagan and Gorbachev , the nuances and evolution of this Amero - Russian rhetoric was much on the collective minds of the peoples of both countries . When Gorby sneezed in Moscow ...
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The Vietnam War as Film Text
The Coming Home Films
The Terrorism Film Texts
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The Drunken Journalist: The Biography of a Film Stereotype
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