The Films of the Eighties: A Social History
Southern Illinois University Press, 1993 - 335 pages
In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties.
Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies.
Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.
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... neoconservative cast to the eighties feminist text , presented a clear - sighted pragmatic feminism as an essential part of the American social landscape . Neoconservative Feminism What the Reagan economists had hoped would happen to ...
... neoconservative feminism , just as Walker is a historical metaphor for American interventionism in Latin America and The Godfather films were a historical metaphor for the corporate takeover of America . One by - product of this ...
... neoconservative feminist characters , but always setting the standard with each new feminist character she created was Meryl Streep . From her debut as a working - class steel - town girl in The Deer Hunter ( 1978 ) to a divorced mother ...
The Vietnam War as Film Text
The Coming Home Films
The Terrorism Film Texts
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