The Films of the Eighties: A Social HistorySouthern Illinois University Press, 1993 - 335 pages In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it. |
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... major political issue of the decade . Nineteen eighty - four was the Year of the Family Farm in film history . While thousands of real families were fighting to save real family farms , films like Places in the Heart , Country , and The ...
... major films - Coming Home , The Deer Hunter , Go Tell the Spartans - and a number of minor films such as Who'll Stop the Rain , Heroes , Rolling Thunder , and The Boys in Company C. Only two of these movies , Apocalypse Now and Go Tell ...
... Major Goody Nelson ( James Earl Jones ) laughs . But even as these career soldiers mock the military ritual charade that they take part in every day , they realize that their job is a bizarre cover - up for a war that is in utter chaos ...
Contents
The Vietnam War as Film Text | 16 |
The Coming Home Films | 61 |
The Terrorism Film Texts | 114 |
Copyright | |
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