The Films of the Eighties: A Social HistorySouthern Illinois University Press, 1993 - 335 pages In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it. |
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... human endurance . Knowing that her efforts can never work , Carol Wetherly tries to make life go on as usual for her family . It is clear to everyone involved , including the theater audience , that her efforts are a futile illusion ...
... human spies . When Brezhnev chats with his mistress over his supposedly clean phone , the birds listen in . When he takes his dog for a walk in the park , the birds take a picture of it pissing on the shrubbery . When he tests his ...
... human emotions . Moscow on the Hudson is a cleverly structured tale of two cities . The opening Moscow section is captured in one striking image , a high over- head shot of a little man walking to the end of an endless line along a cold ...
Contents
The Vietnam War as Film Text | 16 |
The Coming Home Films | 61 |
The Terrorism Film Texts | 114 |
Copyright | |
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