The Films of the Eighties: A Social History
Southern Illinois University Press, 1993 - 335 pages
In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties.
Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies.
Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.
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example , where the Vietnam War was central to the relationship between film and social history in the seventies , it remained so throughout the eighties . Or whereas a prominent chapter in its predecessor defined the major villain of ...
Whereas the political terrorism of Europe and the Middle East is intent upon generating media coverage for its cause , the control terrorism of Central and South America is intent upon suppressing media coverage of its actions and ...
One critic desribed Under Fire as a film about " love , war and the press in Central America , " 14 but it really is not about any of those things . Under Fire is holographically layered with existential , historical , and philosophical ...
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The Vietnam War as Film Text
The Coming Home Films
The Terrorism Film Texts
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