Project Azorian: The CIA and the Raising of the K-129

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Naval Institute Press, 2012 M09 15 - 264 pages
In early August 1974, despite incredible risks and after six years of secret preparations, the CIA attempted to salvage the sunken Soviet ballistic missile submarine K-129 from the depths of the North Pacific Ocean. The audacious effort was undertaken with the cover of an undersea mining operation sponsored by eccentric billionaire Howard Hughes. “Azorian”—incorrectly identified as Project Jennifer by the press—was the most ambitious ocean engineering endeavor attempted by man. Following the accidental sinking of a Soviet missile submarine in March 1968, U.S. intelligence agencies were able to determine the precise location and to develop a means of raising the submarine from a depth of 16,400 feet. The remarkable salvage effort of the K-129, which contained nuclear-armed torpedoes and one nuclear tipped missile as well as crypto equipment, was conducted with Soviet naval ships a few hundred yards from the lift ship, the Hughes Glomar Explorer. The book is based, in part, on the research for Michael White’ documentary film Azorian: The Raising of the K-129, released in late 2009. The research for the book and the documentary forced the CIA to issue a brief report on Project Azorian in early 2010, with one-third of the document redacted.
 

Contents

The Bubble
1
Sailing on Combat Duty
4
Two Submarines
18
A Series of Events
31
Finding the Target Object
49
The Plan
61
Get Ready Get Set
86
The Lift
102
The Bounty
122
Exposure and Revelation
135
Conspiracies and Causes
148
Failure and Frustration
168
Copyright

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About the author (2012)

Norman Polmar is an internationally known analyst, consultant, and award-winning author specializing in the naval, aviation, and intelligence areas. He has written or coauthored fifty published books. A columnist for Proceedings and Naval History magazines, he resides in Alexandria, VA. Michael White has worked in film and television for more than thirty-six years. His career in special and visual effects began in 1976 at Pinewood Studios. After an extensive film career in England, in 1990 he moved to Vienna, which he uses as a base to work internationally as a documentary director and producer. His film Web site is www.projectjennifer.at.

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