Billy Wilder, American Film Realist

Front Cover
McFarland, 2004 M08 13 - 172 pages

The films of Billy Wilder, from Double Indemnity to Some Like It Hot, are American classics created by a brilliant Austrian in love with his newfound country. This is a re-examination of the key American films of Wilder, often challenging previous readings of his filmmaking style and personality, emphasizing the pop-cultural, film-historical, and sociohistorical content of well known films like Sunset Boulevard and less frequently remembered ones, like The Fortune Cookie. The book interprets Wilder as more than the "cocky little Viennese" or "closet Romantic" stereotypes often attached to him. Here the student will find provocative analysis and the enthusiast will find evocative commentary on one of the most important figures in American film. Photographs add to the text, and a complete filmography and bibliography are also included. Fully indexed.

 

Contents

Introduction
1
1 Hold Back the Dawn and Ball of Fire
9
2 The Major and the Minor
17
3 Double Indemnity
24
4 The Lost Weekend
36
5 Sunset Blvd
42
6 Ace in the Hole
53
7 Stalag 17
62
11 The Apartment
98
12 Kiss Me Stupid
108
13 The Fortune Cookie
115
14 The Front Page
124
15 Buddy Buddy
131
Filmography
137
Notes
145
Bibliography
153

8 The Seven Year Itch
70
9 The Spirit of St Louis
80
10 Some Like It Hot
88

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About the author (2004)

Richard Armstrong teaches film studies at Cambridge University and is an associate tutor affiliated with the British Film Institute. He lives in Warwickshire, United Kingdom.

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