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Genre Andrew tudor
The Idea of Genre in the American Cinema
A SemanticSyntactic Approach to Film Genre
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action actor aesthetic American cinema American film audience auteur Band Wagon basic become Canadian Cawelti characters classical Clementine complex conflict context conventions crime film cultural dance Darling Clementine defined disaster film docudrama drama elements emotional evil example experience film genre film noir film's filmmakers forces Ford Ford's Frankenstein function gangster film genre criticism genre film genre studies hard-boiled detective Hawks hero historical Hollywood Hollywood Genres horror film Howard Hawks human ideological individual John kind Levi-Strauss Living Dead Maltese Falcon meaning melodrama mode monster moral movie musical myth mythic narrative nature novel performance play plot popular Press problem production Raoul Walsh realistic relation Robert romantic comedy scene Schatz science fiction films seems semantic sense sexual Sirk social society spectator story structure style suggests television tension textual thematic theme theory Thing tion tional traditional values Warshow western York