Fine Print, Volume 16, Issues 1-3S. Kirshenbaum, 1990 |
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Page 69
... roman and assess the position of this design among other attempts at revival , based on the Jensonian Model . In 1470 , at the time Nicolas Jenson arrived in Venice , the reading public was accustomed to a long history of manuscript ...
... roman and assess the position of this design among other attempts at revival , based on the Jensonian Model . In 1470 , at the time Nicolas Jenson arrived in Venice , the reading public was accustomed to a long history of manuscript ...
Page 70
... roman of 1470. To provide a com- panion italic which Jenson did not have , Benton drew inclined capitals based on the roman ( authentic early italic fonts had used roman capitals with italic lowercase ) , and adapted an Aldine italic ...
... roman of 1470. To provide a com- panion italic which Jenson did not have , Benton drew inclined capitals based on the roman ( authentic early italic fonts had used roman capitals with italic lowercase ) , and adapted an Aldine italic ...
Page 77
... roman types . Lowry describes the way in which an intense interest in the letters of early Roman inscriptions was developed in the third quarter of the fifteenth century , but he sees this as relating only to the search for ideal forms ...
... roman types . Lowry describes the way in which an intense interest in the letters of early Roman inscriptions was developed in the third quarter of the fifteenth century , but he sees this as relating only to the search for ideal forms ...
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Adobe Adobe Systems Aldus American Arte Libri ARTISTS BOOK Avenue bibliography boards book arts book design Book of Kells Bookbinding broadside California calligraphy capitals Carol Twombly catalogue Center century Chicago classical collection Colophon color Contact copies cover craft David decorative DeLittle drawings Eichenberg England English Eric Gill Eurydice Everson exhibition facsimile font Fritz Eichenberg graphic design Grolier Club handmade paper illustrations images issue italic Jeffers Jenson John Kelmscott leather letterforms letterpress letters letterspacing Library limited edition lines lowercase manuscripts Monotype Monotype Corporation Museum Nicolas Jenson original P.O. Box papermaking poem press books printed books printers private press produced rare books Rogers roman San Francisco serifs sheet slipcase spine Stepanova Street style Telephone Texas tion Twombly type design typeface Typocrafters typography University Varvara Stepanova visual white space wood engraving wood type woodcuts workshops write York