Fine Print, Volume 16, Issues 1-3S. Kirshenbaum, 1990 |
From inside the book
Results 1-3 of 19
Page 62
Using Letterforms in Bookbinding A Typographer's View SEBASTIAN MELMOTH OSCAR WILDE Rockwell Kent Announcing Fall 1990 publication. KAY AMERT ILL ANTHONY took me to lunch one day in 1987 to talk about letterforms , a subject we both ...
Using Letterforms in Bookbinding A Typographer's View SEBASTIAN MELMOTH OSCAR WILDE Rockwell Kent Announcing Fall 1990 publication. KAY AMERT ILL ANTHONY took me to lunch one day in 1987 to talk about letterforms , a subject we both ...
Page 66
... Letterforms appear at the spine of the binding . The roman capitals are relatively small in scale , although wide letter- spacing increases the optical size and visual prominence of the letterforms . The title runs down the spine of the ...
... Letterforms appear at the spine of the binding . The roman capitals are relatively small in scale , although wide letter- spacing increases the optical size and visual prominence of the letterforms . The title runs down the spine of the ...
Page 72
Using Letterforms , from page 68 letterforms lead the eye downward , from the top to the bottom of the material . In practice , symmetrical arrangements almost always work best with an odd number of lines . Working with an odd number of ...
Using Letterforms , from page 68 letterforms lead the eye downward , from the top to the bottom of the material . In practice , symmetrical arrangements almost always work best with an odd number of lines . Working with an odd number of ...
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Adobe Adobe Systems Aldus American Arte Libri ARTISTS BOOK Avenue bibliography boards book arts book design Book of Kells Bookbinding broadside California calligraphy capitals Carol Twombly catalogue Center century Chicago classical collection Colophon color Contact copies cover craft David decorative DeLittle drawings Eichenberg England English Eric Gill Eurydice Everson exhibition facsimile font Fritz Eichenberg graphic design Grolier Club handmade paper illustrations images issue italic Jeffers Jenson John Kelmscott leather letterforms letterpress letters letterspacing Library limited edition lines lowercase manuscripts Monotype Monotype Corporation Museum Nicolas Jenson original P.O. Box papermaking poem press books printed books printers private press produced rare books Rogers roman San Francisco serifs sheet slipcase spine Stepanova Street style Telephone Texas tion Twombly type design typeface Typocrafters typography University Varvara Stepanova visual white space wood engraving wood type woodcuts workshops write York