Irish National CinemaPsychology Press, 2004 - 214 pages From the international successes of Neil Jordan and Jim Sheridan, to the smaller productions of the new generation of Irish filmmakers, this book explores questions of nationalism, gender identities, the representation of the Troubles and of Irish history as well as cinema's response to the so-called Celtic Tiger and its aftermath. Irish National Cinema argues that in order to understand the unique position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the so-called Irish diaspora and engage with its cinema. An invaluable resource for students of world cinema. |
Contents
Negotiating modernisation | 65 |
Issues and debates in contemporary Irish cinema | 83 |
Irish independents | 99 |
Northern Ireland | 153 |
Inclusion exclusion conclusion | 187 |
Bibliography | 193 |
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Common terms and phrases
Abbey actors American Aran argued audience avant-garde Belfast British film Catholic Celtic Tiger central characters Colleen comedy contemporary Cork depiction director discourse documentary drama Dublin Easter Rising emigration father fiction figure Film Board film industry film's filmmaking practices Ford's gangster hero Hollywood Hurst ibid identity images immigrant Independence indigenous Irish cinema Irish culture Irish Film Irish Film Archive Irish filmmaking Irish history Irish language Irish society Jim Sheridan John Jordan's Knocknagow Liam London Maeve McLoone Michael Collins Mise Éire modernisation mother Murphy narrative national cinema nationalist Neil Jordan Northern Ireland notably Olcott past period played political popular Press production Protestant reflect release representations Rockett role RTÉ rural scene screen Sean sense sequence sexual short films shot Sinéad O'Connor Sinn Féin social Stephen Rea story suggests television Thaddeus O'Sullivan themes tion tradition Troubles viewer visual whilst Willy Reilly women young