Memory and Securitization in Contemporary Europe

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Vlad Strukov, Victor Apryshchenko
Springer, 2018 M01 24 - 284 pages

The volume is the first study to explore the intersection of memory and securitisation in the European context. By analysing a variety of practices ranging from film to art and new media, the book expands the existing theoretical framework of securitisation. The authors consider memory as a precondition for contemporary integration projects such as the European Union, and also showcase how memory is used to stage international conflicts. Following this memory-securitisation nexus, the European Union, and Europe more generally, emerges as an on-going cultural, political and social project. The book also examines developments outside the EU such as the conflict in Ukraine and the creation of the Eurasian Economic Union, which, the authors argues, have a profound impact on Europe. From a consideration of historical contexts such as national referenda the discussion proceeds to media and film analysis, artistic practice and more transient phenomena such as climate change.

 

Contents

Introduction
1
Memory as Security Images of the Past in 2014 National Referenda in Europe
23
Securitization Memory and the Historic Debate on Scottish Independence
51
Artistic Commemoration and Securitization The WWI Centenary and the Creation of Collective Memory in the UK
76
Performing Memory and Securitization in Belfast
101
Europe on the Global Screen Geopolitical Scotoma Transnational Cinema of Memory and Hollywoods Security Choices
123
Media Genre Disrupted Memory and the European Securitization Chronotope Transnationalizing the Lee Rigby Murder
155
Remembering and Securitizing Climate Change in Russian and British Media
186
NoKievNazi Social Media Historical Memory and Securitization in the Ukraine Crisis
219
The Economy of Risks in the Eurasian Economic Union From Common Memory Towards Economic Security
249
Index
275
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About the author (2018)

Vlad Strukov is an Associate Professor in Film and Digital Cultures, University of Leeds, UK. He specialises in world cinemas, digital media and cultural theory. He is the author of ‘Contemporary Russian Cinema: Symbols of a New Era’ (2016) and other books on visual culture. He is the founder of Studies in Russian, Eurasian and Central European New Media.

Victor Apryshchenko is a Professor of History at the Southern Federal University, Rostov-na-Donu, Russia. His research focuses on construction and transformation of European identities and historical memory management in Europe. He is the author of monographs and articles on historical and social memory and European intellectual culture. He is the editor-in-chief of The New Past/Novoe Proshloe journal.


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