A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 2008 M01 3 - 560 pages Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Page 374
... Greek culture to enhance the validity of its own language and culture . The Afrikaners were staking a claim as equal inheritors of the great tradition of Greek drama . They wanted to prove that their language was on a par with English ...
... Greek culture to enhance the validity of its own language and culture . The Afrikaners were staking a claim as equal inheritors of the great tradition of Greek drama . They wanted to prove that their language was on a par with English ...
Page 501
... Greek drama : the multi - lingual turn . Parodos 6 : 6-8 . Hardwick , L. 2006a . Remodelling reception : Greek drama as diasporic performance . In Martindale and Thomas ( eds ) , 2006 : 204–15 . Hardwick , L. 2006b . ' Murmurs in the ...
... Greek drama : the multi - lingual turn . Parodos 6 : 6-8 . Hardwick , L. 2006a . Remodelling reception : Greek drama as diasporic performance . In Martindale and Thomas ( eds ) , 2006 : 204–15 . Hardwick , L. 2006b . ' Murmurs in the ...
Page 513
... Greek and Roman Theatre . Cambridge . McDonald , M. , K. McLeish and F. Raphael ( trs ) . 2005. Greek Tragedy . London . McGann , J.J. 1991. The Textual Condition . Princeton . McGann , J.J. 1984. Rome and its romantic significance . In ...
... Greek and Roman Theatre . Cambridge . McDonald , M. , K. McLeish and F. Raphael ( trs ) . 2005. Greek Tragedy . London . McGann , J.J. 1991. The Textual Condition . Princeton . McGann , J.J. 1984. Rome and its romantic significance . In ...
Contents
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
Copyright | |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words