Women & Film
Routledge, 2013 M04 15 - 272 pages
"Written with unequivocal enthusiasm for film, feminism and theory, "Women and Film" is a welcome and useful guide to a complex area."--"The Arts"
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The classical and contemporary Hollywood cinema
Blonde Venus 1932i
The struggle for control over the female discourse and female
Forms of phallic domination in the contemporary Hollywood
The avantgardes in Europe and the USA
Silence as female resistance in Marguerite Durass Nathalie
Von Trottas Marianne
Armand audience avant-garde avant-garde theory film Bannister Blonde Venus bourgeois camera chapter child cinema cinematic strategies Claire Johnston constructed culture Daughter-Rite desire diegesis Dietrich directors discourse discussion documentary dominant Duras Elsa fantasies father female sexuality female spectator feminine feminist film critics feminist film theory fetishism film's filmmakers Freud Freud's Dora Goodbar Grisby Hayworth Helen heroine Hollywood Hollywood films ibid ideology interview issues Julia Kristeva Juliane Kristeva language Laura Mulvey lives look male gaze male spectator Margarethe Von Trotta Marguerite Marguerite Duras Marianne Marianne and Juliane melodrama Mimi mirror mother Motherhood Mulvey and Wollen narration narrative Nathalie Granger O'Hara object Oedipal oppression patriarchal pleasure political position problems psychoanalytic questions realist reflects relationship representation represents Riddles role scene screen shots signifying silence social Sphinx structures symbolic Teresa theoretical Thriller Trotta voice voice-over woman women women's cinema York Yvonne Rainer