Women & FilmRoutledge, 2013 M04 15 - 272 pages "Written with unequivocal enthusiasm for film, feminism and theory, "Women and Film" is a welcome and useful guide to a complex area."--"The Arts" |
Contents
1 | 23 |
Patriarchy and the male gaze in Cukors Camille 1936 | 36 |
Fetishism and the repression of Motherhood in Von Sternbergs | 49 |
5 | 64 |
6 | 85 |
9 | 109 |
Sara Gomezs One | 189 |
Notes | 207 |
Filmographies and synopses | 224 |
Appendix for teachers | 237 |
| 253 | |
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Common terms and phrases
analysis Armand audience avant-garde avant-garde theory film Bannister Blonde Venus bourgeois camera Camille chapter child cinema cinematic strategies Claire Johnston constructed culture Daughter-Rite desire diegesis Dietrich directors discourse discussion documentary dominant Duras Elsa fantasies father female sexuality female spectator feminine feminist film critics feminist film theory fetishism film's filmmakers Freud Goodbar Grisby Hayworth Helen heroine Hollywood Hollywood films ibid ideology interview issues Julia Kristeva Juliane Jump Cut Kristeva Lady from Shanghai language Laura Mulvey lives look male gaze male spectator Marguerite Marianne Marianne and Juliane melodrama Mimi mirror mother Motherhood Mulvey and Wollen narration narrative Nathalie Granger O'Hara object Oedipal patriarchal pleasure political position problems psychoanalytic questions realist reflects relationship representation represents Riddles scene screen shots Sigmund Freud's Dora silence social Sphinx structures symbolic Teresa theoretical Thriller Trotta voice voice-over woman women women's cinema Yvonne Rainer