Screened Out: Playing Gay in Hollywood from Edison to StonewallRoutledge, 2005 M02 16 - 416 pages Rapacious dykes, self-loathing closet cases, hustlers, ambiguous sophisticates, and sadomasochistic rich kids: most of what America thought it knew about gay people it learned at the movies. A fresh and revelatory look at sexuality in the Great Age of movie making, Screened Out shows how much gay and lesbian lives have shaped the Big Screen. Spanning popular American cinema from the 1900s until today, distinguished film historian Richard Barrios presents a rich, compulsively readable analysis of how Hollywood has used and depicted gays and the mixed signals it has given us: Marlene in a top hat, Cary Grant in a negligee, a pansy cowboy in The Dude Wrangler. Such iconoclastic images, Barrios argues, send powerful messages about tragedy and obsession, but also about freedom and compassion, even empowerment. Mining studio records, scripts, drafts (including cut scenes), censor notes, reviews, and recollections of viewers, Barrios paints our fullest picture yet of how gays and lesbians were portrayed by the dream factory, warning that we shouldn't congratulate ourselves quite so much on the progress movies - and the real world -- have made since Stonewall. Captivating, myth-breaking, and funny, Screened Out is for all film aficionados and for anyone who has sat in a dark movie theater and drawn strength and a sense of identity from what they saw on screen, no matter how fleeting or coded. |
From inside the book
Results 1-5 of 55
Page 2
... relationships in terms of what we've seen on the screen. Who hasn't thrown (or hasn't wanted to throw) a fit in the ... relationship, is it just a coincidence that the wild ride we've shared with the movies has been paralleled by the ...
... relationships in terms of what we've seen on the screen. Who hasn't thrown (or hasn't wanted to throw) a fit in the ... relationship, is it just a coincidence that the wild ride we've shared with the movies has been paralleled by the ...
Page 3
... relationship is between film and sex is the subject of a debate that will continue to the end of time. The bluntness of sexuality in its most obvious cinematic forms usually gains most of the attention, yet it is cinema's more allusive ...
... relationship is between film and sex is the subject of a debate that will continue to the end of time. The bluntness of sexuality in its most obvious cinematic forms usually gains most of the attention, yet it is cinema's more allusive ...
Page 5
... relationships. It tells us of Call Her Savage, with its trip to a Greenwich Village gay bar, and The Warrior's Husband, and a few others. There are discussions of several actors who made their names playing “sissies,” and a few ...
... relationships. It tells us of Call Her Savage, with its trip to a Greenwich Village gay bar, and The Warrior's Husband, and a few others. There are discussions of several actors who made their names playing “sissies,” and a few ...
Page 16
... relationships simply regarded fairies as the alien other. Therefore, their presences in early films are, for all the affront, fairly representative of how they were treated when they ventured out into the real world. The first couple of ...
... relationships simply regarded fairies as the alien other. Therefore, their presences in early films are, for all the affront, fairly representative of how they were treated when they ventured out into the real world. The first couple of ...
Page 19
... relationship between gayness and gender switching. Cross-dressing, especially on film, has never traveled one direct course. The double standard between a woman dressed as a man and vice versa is well known—one is essentially accepted ...
... relationship between gayness and gender switching. Cross-dressing, especially on film, has never traveled one direct course. The double standard between a woman dressed as a man and vice versa is well known—one is essentially accepted ...
Contents
1 | |
15 | |
TWO Speaking Plainly | 37 |
THREE Codes of Behavior | 55 |
FOUR The Naked Moon | 81 |
FIVE Pansies and Lesbos of 1933 | 95 |
SIX Legions and Decency | 123 |
Life in a Coded World | 145 |
ELEVEN Something Evil | 247 |
Sex and the Sixties | 275 |
THIRTEEN The Wild Side | 293 |
FOURTEEN Im No Queer He Lied | 317 |
FIFTEEN Open Season | 339 |
An Epilogue | 363 |
Notes on Sources | 367 |
Selected Bibliography | 377 |
Other editions - View all
Screened Out: Playing Gay in Hollywood from Edison to Stonewall Richard Barrios Limited preview - 2005 |
Screened Out: Playing Gay in Hollywood from Edison to Stonewall Richard Barrios Limited preview - 2003 |
Screened Out: Playing Gay in Hollywood from Edison to Stonewall Richard Barrios Limited preview - 2003 |
Common terms and phrases
actor American film Ancaria artistic audiences became Ben-Hur Bobby Watson Broadway career cast Celluloid Closet cinema Code seal comedy costume critics dance decades DeMille DeMille's director Dorian drag e e º early fact film noir film's filmmakers final Franklin Pangborn gay and lesbian gay characters gayness George girl Hays Office heterosexual Hollywood homosexuality horror Joe Breen Johnny jokes Lady later Legion of Decency lesbian less look male MH/PCA moral Motion Picture movie musical Naked Moon nasty noir º e e º e º º º º onscreen pansy craze Paramount perhaps Photofest play portrayals portrayed Production Code Administration Queen queer relationship role romance scene screen script seemed sexual shot Shurlock sissy song star stereotypes story straight studio Tea and Sympathy things tion tone Touch of Mink turned viewers Warner Bros woman women Wyler York young