Screened Out: Playing Gay in Hollywood from Edison to StonewallRoutledge, 2005 M02 16 - 416 pages Rapacious dykes, self-loathing closet cases, hustlers, ambiguous sophisticates, and sadomasochistic rich kids: most of what America thought it knew about gay people it learned at the movies. A fresh and revelatory look at sexuality in the Great Age of movie making, Screened Out shows how much gay and lesbian lives have shaped the Big Screen. Spanning popular American cinema from the 1900s until today, distinguished film historian Richard Barrios presents a rich, compulsively readable analysis of how Hollywood has used and depicted gays and the mixed signals it has given us: Marlene in a top hat, Cary Grant in a negligee, a pansy cowboy in The Dude Wrangler. Such iconoclastic images, Barrios argues, send powerful messages about tragedy and obsession, but also about freedom and compassion, even empowerment. Mining studio records, scripts, drafts (including cut scenes), censor notes, reviews, and recollections of viewers, Barrios paints our fullest picture yet of how gays and lesbians were portrayed by the dream factory, warning that we shouldn't congratulate ourselves quite so much on the progress movies - and the real world -- have made since Stonewall. Captivating, myth-breaking, and funny, Screened Out is for all film aficionados and for anyone who has sat in a dark movie theater and drawn strength and a sense of identity from what they saw on screen, no matter how fleeting or coded. |
From inside the book
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Page 6
... queer, and in 1933 controversial, dance instructor. For Cecil B. DeMille's Roman holiday The Sign of the Cross (1932), Russo confines his reference to a photo of Charles Laughton's Nero accompanied by his undressed slave boy. Well and ...
... queer, and in 1933 controversial, dance instructor. For Cecil B. DeMille's Roman holiday The Sign of the Cross (1932), Russo confines his reference to a photo of Charles Laughton's Nero accompanied by his undressed slave boy. Well and ...
Page 8
... Queer Moment (Columbia University, 1994). They show the roots of the stereotypes that persist, despite all evidence to the contrary, into the twenty-first century. For anyone innocent enough to think these notions now blessedly obsolete ...
... Queer Moment (Columbia University, 1994). They show the roots of the stereotypes that persist, despite all evidence to the contrary, into the twenty-first century. For anyone innocent enough to think these notions now blessedly obsolete ...
Page 9
... Queer Flashes In their century of shared existence, film and homosexuality have charted a striking course. Sometimes film reflects precisely how gays were viewed in the American experience, and at other times the distortion is epic. In ...
... Queer Flashes In their century of shared existence, film and homosexuality have charted a striking course. Sometimes film reflects precisely how gays were viewed in the American experience, and at other times the distortion is epic. In ...
Page 10
... queer flashes.” In 1934 it all seemed to stop. Only in recent years have historians realized just how much the Legion of Decency and the newly enforced Motion Picture Production Code changed the movies. However ludicrous it seems now ...
... queer flashes.” In 1934 it all seemed to stop. Only in recent years have historians realized just how much the Legion of Decency and the newly enforced Motion Picture Production Code changed the movies. However ludicrous it seems now ...
Page 12
... queer cinema in the 1990s made for a vastly different art. It brought many independent works into the cinema mainstream. That, again, is another history; the primary focus here is on film that affected the largest audiences, mainly ...
... queer cinema in the 1990s made for a vastly different art. It brought many independent works into the cinema mainstream. That, again, is another history; the primary focus here is on film that affected the largest audiences, mainly ...
Contents
1 | |
15 | |
TWO Speaking Plainly | 37 |
THREE Codes of Behavior | 55 |
FOUR The Naked Moon | 81 |
FIVE Pansies and Lesbos of 1933 | 95 |
SIX Legions and Decency | 123 |
Life in a Coded World | 145 |
ELEVEN Something Evil | 247 |
Sex and the Sixties | 275 |
THIRTEEN The Wild Side | 293 |
FOURTEEN Im No Queer He Lied | 317 |
FIFTEEN Open Season | 339 |
An Epilogue | 363 |
Notes on Sources | 367 |
Selected Bibliography | 377 |
Other editions - View all
Screened Out: Playing Gay in Hollywood from Edison to Stonewall Richard Barrios Limited preview - 2005 |
Screened Out: Playing Gay in Hollywood from Edison to Stonewall Richard Barrios Limited preview - 2003 |
Screened Out: Playing Gay in Hollywood from Edison to Stonewall Richard Barrios Limited preview - 2003 |
Common terms and phrases
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