Italian Post-Neorealist Cinema
Edinburgh University Press, 2013 M12 16 - 288 pages
This book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representati
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actors Adriana aesthetic Alberto Alberto Lattuada Alberto Sordi all’italiana anni Antonio Pietrangeli Antonioni Bazin Bertolucci Brunetta camera Catholic Cesare Zavattini characters Chiarini Christian Democrats cineastes cinema italiano comedy Communist conoscevo Cottafavi Crainz creating critical Deleuze’s director documentary dolce vita economic episode ethical Fascist Fellini Ferreri Figures filmmakers Francesco genre Germi Gian Gianni Giuseppe De Santis idea identity ideological Il gaucho individual industrial intellectual Italian cinema Italian film Italian Neorealism Italy Italy’s La dolce vita landscape Lattuada Luigi Marco Mario Marsilio Marxist Milan modern modernist moral movement movie narrative national cinema nature Neorealism Neorealist one’s Ossessione Paisà Paolo party Pasolini Pier Paolo Pasolini Piero Pietrangeli’s played political postmodern production protagonist realism reality relationship represented Roberto role Roma città aperta Rome Rossellini scene seems sexual shots Sica social society Sordi story symbolic tion Totò tradition Turin University Press Verga Visconti Vittorio Zavattini