Heritage in the Digital Era: Cinematic Tourism and the Activist Cause

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Routledge, Mar 5, 2013 - 248 pages
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What happens to traditional conceptions of heritage in the era of fluid media spaces? ‘Heritage’ usually involves intergenerational transmission of ideas, customs, ancestral lands, and artefacts, and so serves to reproduce national communities over time. However, media industries have the power to transform national lands and histories into generic landscapes and ideas through digital reproductions or modifications, prompting renegotiations of belonging in new ways. Contemporary media allow digital environments to function as transnational classrooms, creating virtual spaces of debate for people with access to televised, cinematic and Internet ideas and networks.

This book examines a range of popular cinematic interventions that are reshaping national and global heritage, across Europe, Asia, the Americas and Australasia. It examines collaborative or adversarial articulations of such enterprise (by artists, directors, producers but also local, national and transnational communities) that blend activism with commodification, presenting new cultural industries as fluid but significant agents in the production of new public spheres.

Heritage in the Digital Era will appeal to students and scholars of sociology, film studies, tourist studies, globalization theory, social theory, social movements, human/cultural geography, and cultural studies.

 

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Contents

Cultural industries and global kin
1
Cinematic pilgrimage in New Zealand 2010
23
Networks of neopilgrimage in the European cosmopolis 20068
63
The Acropolis in Ruins 2009
104
Yimou Zhangs and Ai Weiweis artwork 200411
123
Avatar s 2009 cosmology of protest
148
Bibliography
188
Index
227
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About the author (2013)

Rodanthi Tzanelli is Lecturer in Sociology at the University of Leeds. Her interests centre on globalization, cosmopolitanism, identity, media and tourism. She has published five books, including The Cinematic Tourist: Explorations in globalization, culture and resistance (2007) and Cosmopolitan Memory in Europe’s ‘Backwaters’: Rethinking civility (2011).

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