Brotherhood in Rhythm: The Jazz Tap Dancing of the Nicholas BrothersOxford University Press, 2000 - 320 pages They were two of the most explosive dancers of the twentieth century, dazzling audiences with daredevil splits, slides, and hair-raising flips. But they were also highly sophisticated dancers, refining a centuries-old tradition of percussive dance into the rhythmic brilliance of jazz tap at its zenith. They were Fayard and Harold Nicholas, two American masters masterfully portrayed in this new dual biography by Constance Valis Hill. In Brotherhood in Rhythm, Hill interweaves an intimate portrait of these great performers with a richly detailed history of jazz music and jazz dance, both bringing their act to life and explaining their significance through a colorful analysis of their eloquent footwork, their full-bodied expressiveness, and their changing style. Hill vividly captures their soaring careers, from Cotton Club appearances with Duke Ellington, Cab Calloway, and Jimmie Lunceford, to film-stealing big-screen performances with Chick Webb, Tommy Dorsey, and Glen Miller. Drawing on a deep well of research and endless hours of interviews with the Nicholas brothers themselves, she also documents their struggles against the nets of racism and segregation that constantly enmeshed their careers and denied them the recognition they deserved. And to provide essential background to their career and the development of their art, she also traces the three-hundred-year evolution of jazz tap, showing how it emerged in the Southern colonies in the 1700s, as the Irish jig and West African gioube mutated into the American jig and juba. More than a biography of two talented but underappreciated performers, Brotherhood in Rhythm offers a profound new understanding of this distinctively American art and its intricate links to the history of jazz. |
Contents
Introduction | 3 |
One Born into Jazz | 9 |
Two Brothers 19141931 | 33 |
Copyright | |
9 other sections not shown
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Brotherhood in Rhythm: The Jazz Tap Dancing of the Nicholas Brothers Constance Valis Hill Limited preview - 2002 |
Brotherhood In Rhythm: The Jazz Tap Dancing of the Nicholas Brothers Constance Valis Hill Limited preview - 2002 |
Common terms and phrases
acrobatic African African-American American artists audience Balanchine ballet ballroom band beat bebop Bill Robinson black musical blackface blues boys Broadway Bruce Goldstein Cab Calloway challenge dance Charleston Chattanooga Choo Choo choreographer chorus classical comedy Cotton Club culture dressed drum drummer Duke Ellington Fayard and Harold Fayard Nicholas feet film floor Harlem Renaissance Harold Nicholas Harold Nicholas Archive Hollywood hoofers improvised interview by author interview by Bruce jazz dance jazz tap dancing jump legs Leonard Reed Marshall Stearns move movement Musical Theatre musicians Negro Nicholas Brothers Nicholas Kids Nicholas Morrow onstage orchestra Oxford University Press performed Philadelphia Tribune piano played ragtime revue rhythmic Rigmor Newman routine sang says Fayard scene Shuffle singing slides softshoe solo song sound specialty split stage stairs stars steps stomps Stormy Weather strutting style of jazz swing syncopated tap dance tap dancer television tempo thirties tradition twenties Twentieth Century-Fox Ulysses vaudeville York
References to this book
A Core Collection in Dance Association of College and Research Libraries. Dance Librarians Committee No preview available - 2002 |