RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
Page 7
... . If there be no other resource , I shall implore them to have pity upon me , although you have forbidden me to do so . We ask not for justice , but only for mercy . If we cannot obtain Fig . 3. PORTRAIT OF A YOUNG MAN . In. 7.
... . If there be no other resource , I shall implore them to have pity upon me , although you have forbidden me to do so . We ask not for justice , but only for mercy . If we cannot obtain Fig . 3. PORTRAIT OF A YOUNG MAN . In. 7.
Page 8
Hermann Knackfuss. Fig . 3. PORTRAIT OF A YOUNG MAN . In the Pinakothek at Munich . After a photograph from the original by Franz Hanfstäng ) , Munich . that , what is there to be done ? Oh ! heavenly and merciful father ! thou wilt help ...
Hermann Knackfuss. Fig . 3. PORTRAIT OF A YOUNG MAN . In the Pinakothek at Munich . After a photograph from the original by Franz Hanfstäng ) , Munich . that , what is there to be done ? Oh ! heavenly and merciful father ! thou wilt help ...
Page 13
... Young Man in the old Pinakothek at Munich also shows his method of executing portraits ( Fig . 3 ) at this early period . In the same collection is a sketch in oil of an Old Lady in a Black Veil , con- ceived apparently with an ...
... Young Man in the old Pinakothek at Munich also shows his method of executing portraits ( Fig . 3 ) at this early period . In the same collection is a sketch in oil of an Old Lady in a Black Veil , con- ceived apparently with an ...
Page 15
... young Venetian lady at Dresden , both after Titian , clearly show how minutely Rubens had studied that great colourist , and how at the same time he never lost his own individuality . For his works are not merely copies , but rather ...
... young Venetian lady at Dresden , both after Titian , clearly show how minutely Rubens had studied that great colourist , and how at the same time he never lost his own individuality . For his works are not merely copies , but rather ...
Page 16
... young artist seems to have been also attracted by antique marbles and especially by old Greek and Fig . 11 . After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 22. ) ABRAHAM AND ...
... young artist seems to have been also attracted by antique marbles and especially by old Greek and Fig . 11 . After a photograph from the original by Braun , Clément & Co. , Dornach , Paris and New - York . ( To page 22. ) ABRAHAM AND ...
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp artist Balthasar Moretus beautiful Berlin Museum Brussels Cardinal Infant Carleton charm Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery English engraving executed expression Ferdinand figures Flemish florins France Franz Hanfstängl Gallery at Vienna Gerbier hand Helena Fourment Hermitage at St Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS ladies landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris marble Maria de Medici master master-pieces Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna mythological negotiations Netherlands nymph original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Spinola town Virgin whilst wife wrote