RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
From inside the book
Page 2
Hermann Knackfuss. Portrait of RUBENS BY HIMSELF . In the Imperial Gallery at
Vienna . After a photograph from the original by J . Löwy , Vienna . Fig . 17 . THE
ELEYATION OF THE Cross .
Hermann Knackfuss. Portrait of RUBENS BY HIMSELF . In the Imperial Gallery at
Vienna . After a photograph from the original by J . Löwy , Vienna . Fig . 17 . THE
ELEYATION OF THE Cross .
Page 21
Fig . 15 . THE ILDEFONSO Altar . In the Imperial Gallery at Vienna . ( To page 30 .
) THE MINIVERSITY OF MICHIGAN LIBRARIES KNACKFUSS , Rubens . Fig . 26
. THE GARLAND. Portrait of an unknown man In the Gallery at Cassel.
Fig . 15 . THE ILDEFONSO Altar . In the Imperial Gallery at Vienna . ( To page 30 .
) THE MINIVERSITY OF MICHIGAN LIBRARIES KNACKFUSS , Rubens . Fig . 26
. THE GARLAND. Portrait of an unknown man In the Gallery at Cassel.
Page 36
In the Imperial Museum at Vienna . their outer side St . Christopher . This latter
subject Rubens repeated again in a picture now at Munich ( Fig . 19 ) . The idea
of Christ being thus carried is the binding link in all four representations : and the
...
In the Imperial Museum at Vienna . their outer side St . Christopher . This latter
subject Rubens repeated again in a picture now at Munich ( Fig . 19 ) . The idea
of Christ being thus carried is the binding link in all four representations : and the
...
Page 57
... master , - and another copy , — treated in the same way — of the Christ and
His Apostles , owned by the Duke of Lerma ; an Achilles disguised as a Woman ,
an impressive picture with. 57 The Four Continents In the Imperial Gallery at
Vienna.
... master , - and another copy , — treated in the same way — of the Christ and
His Apostles , owned by the Duke of Lerma ; an Achilles disguised as a Woman ,
an impressive picture with. 57 The Four Continents In the Imperial Gallery at
Vienna.
Page 62
... commissioned towards the end of 1616 to paint an Altar - piece representing
the Adoration of the Magi . It was a composition which he had treated once before
with great success ,. 62 St Ignatius Loyola healing the Possessed In the Imperial
...
... commissioned towards the end of 1616 to paint an Altar - piece representing
the Adoration of the Magi . It was a composition which he had treated once before
with great success ,. 62 St Ignatius Loyola healing the Possessed In the Imperial
...
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Other editions - View all
Common terms and phrases
according adorned altar altar-piece Ambassador Antwerp appears artist beside Brussels Buckingham charm Christ Church Clément Clément & Co Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures France Franz Hanfstäng Gallery Garden give hand head Helena Fourment Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light London Louvre Love Madrid Maria Mary master Medici Museum nature negotiations object occasions once original by Braun original by Franz painted painter Paris and New-York peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably Queen received representing Rubens scenes seems shows sketch Spain Spanish town whilst whole wife wrote young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the University of Michigan |
| Digitized | 21 Nov 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |