RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 7
Drawing in the Albertina at Vienna . After a photograph from the original by Braun
, Clément & Co . , Dornach , Paris and New - York . ( To page 15 . ) I suffer with
the same pain that you are suffering . I believe that if these noble gentlemen ...
Drawing in the Albertina at Vienna . After a photograph from the original by Braun
, Clément & Co . , Dornach , Paris and New - York . ( To page 15 . ) I suffer with
the same pain that you are suffering . I believe that if these noble gentlemen ...
Page 12
In the Albertina at Vienna . After a photograph from the original by Braun ,
Clément & Co . , Dornach , Paris and New - York . ( To page 18 . ) A perfect
courtier , he was much esteemed by the Prince of Parma , whose court - painter
he became .
In the Albertina at Vienna . After a photograph from the original by Braun ,
Clément & Co . , Dornach , Paris and New - York . ( To page 18 . ) A perfect
courtier , he was much esteemed by the Prince of Parma , whose court - painter
he became .
Page 15
... by Rubens after Michelangelo ' s Prophets in the Sixtine Chapel . His attempts
to impart to his own creations something of the Titanic grandeur of the great
Florentine are clearly visible in a drawing in the Albertina collection in Vienna (
Fig .
... by Rubens after Michelangelo ' s Prophets in the Sixtine Chapel . His attempts
to impart to his own creations something of the Titanic grandeur of the great
Florentine are clearly visible in a drawing in the Albertina collection in Vienna (
Fig .
Page 16
Drawing in the Albertina at Vienna . Roman portrait - busts . It was as if the cold
marble awoke to life before his soul : and it was under such impressions that he
executed those translations of ancient portraits which in 1638 were multiplied by
...
Drawing in the Albertina at Vienna . Roman portrait - busts . It was as if the cold
marble awoke to life before his soul : and it was under such impressions that he
executed those translations of ancient portraits which in 1638 were multiplied by
...
Page 24
18 . THE DESCENT FROM THE Cross . Fig . 17 . THE ELEYATION OF THE
Cross . From an engraving by Witdoek . ( To page 34 . ) Fig . 23 . PerseuS AND
ANDROMEDA . In the. Studies of Putti Pen and ink drawing in the Albertina at
Vienna.
18 . THE DESCENT FROM THE Cross . Fig . 17 . THE ELEYATION OF THE
Cross . From an engraving by Witdoek . ( To page 34 . ) Fig . 23 . PerseuS AND
ANDROMEDA . In the. Studies of Putti Pen and ink drawing in the Albertina at
Vienna.
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Other editions - View all
Common terms and phrases
according adorned altar Ambassador Antwerp appears artist beside Brussels Buckingham charm Christ Church Clément Clément & Co Collection colour commission completed composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures France Franz Hanfstäng Gallery Garden give hand head Helena Fourment Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light live London Louvre Love Madrid Maria Mary master Medici Museum nature negotiations object occasions once original by Braun original by Franz painted painter Paris and New-York peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably Queen received representing Rubens scenes seems shows sketch Spain Spanish town whilst whole wife wrote young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the University of Michigan |
| Digitized | 21 Nov 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |